1.0Luis Naón / compositeurhttps://luisnaon.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="JOyof2NE1c"><a href="https://luisnaon.com/en/ex-lex-teatro-secreto-2012/">Ex Lex (Teatro secreto) (2012)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://luisnaon.com/en/ex-lex-teatro-secreto-2012/embed/#?secret=JOyof2NE1c" width="600" height="338" title="“Ex Lex (Teatro secreto) (2012)” — Luis Naón / compositeur" data-secret="JOyof2NE1c" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://luisnaon.com/wp-includes/js/wp-embed.min.js </script> For chamber orchestra Ex lex is divided into five movements, in which the first and the second as well as the fourth and the fifth are linked. It was composed during 2011 and part of 2012 and it is commissioned by the Ensemble Contrechamps of Ginebra, which specializes in music from the XX and XXI … Continue reading →