1.0Luis Naón / compositeurhttps://luisnaon.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="RgUht3pV4E"><a href="https://luisnaon.com/en/ka-ii-urbana-7-b/">Ka, II (Urbana 7.b)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://luisnaon.com/en/ka-ii-urbana-7-b/embed/#?secret=RgUht3pV4E" width="600" height="338" title="“Ka, II (Urbana 7.b)” — Luis Naón / compositeur" data-secret="RgUht3pV4E" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://luisnaon.com/wp-includes/js/wp-embed.min.js </script> Five musical poems For flute, 2 saxophones, clarinette, percussion and electronics. Commissioned by CIP (International Percussion Centre) for the Hic et Nunc ensemble The first version of Ka was written for clarinet, French horn, violin, cello, percussion, and two live synthesisers. This new version, transcribed only for wind instruments and percussion, takes up period electronics … Continue reading →