{"id":1770,"date":"2020-03-01T09:21:24","date_gmt":"2020-03-01T09:21:24","guid":{"rendered":"https:\/\/luisnaon.com\/?page_id=1770"},"modified":"2025-02-20T08:56:03","modified_gmt":"2025-02-20T08:56:03","slug":"discography","status":"publish","type":"page","link":"https:\/\/luisnaon.com\/en\/discography\/","title":{"rendered":"Discography"},"content":{"rendered":"

\"\"<\/a><\/p>\n

M\u00c9LANGE
\nGuillermo Anzorena, baryton<\/em>\u00a0 \u00a0 \u00a0Silvia Dabul, piano<\/em><\/span><\/span><\/strong><\/p>\n

Amor a Roma, <\/span><\/span><\/strong>de Luis Na\u00f3n<\/em><\/span><\/span>
\n<\/span><\/span><\/strong>et \u0153uvres de\u00a0 Berio, Mucillo, Ronchetti, Sciarrino, Lambertini, Solare, Barber<\/span><\/span>
\n<\/span><\/span><\/strong><\/p>\n

Ce disque est consacr\u00e9 \u00e0 la m\u00e9lodie, au lied, en espagnol, litt\u00e9ralement \u00ab chanson de chambre \u00bb. Il \u00ab m\u00e9lange \u00bb subtilement, savoureusement des traditions diff\u00e9rentes dont le point commun est la tension entre musique et po\u00e9sie, \u00e0 la recherche de l\u2019unit\u00e9 perdue qui pourrait encore \u00eatre retrouv\u00e9e. Guillermo Anzorena et Silvia Dabul sont tous deux argentins. Baryton \u00e0 la souplesse vocale exceptionnelle, soliste international, associ\u00e9 aux Neue Vocalsolisten de Stuttgart, Guillermo Anzorena vit en Europe depuis de nombreuses ann\u00e9es ; Silvia Dabul, po\u00e9tesse et pianiste, vit \u00e0 Buenos Aires.<\/div>\n

Label : L’empreinte digitale<\/a>
\n<\/span><\/span><\/p>\n

\n

\"\"<\/a><\/span><\/strong><\/p>\n

EN \u00c9CHO
\nEnsemble\u00a0Accroche Note
\n<\/b>Armand Angster,\u00a0clarinette\u00a0 \u00a0\u00a0<\/i>Fran\u00e7oise Kubler,\u00a0soprano
\n<\/i>
\n<\/b><\/span><\/span><\/strong>Ultimos movimientos, <\/strong>de Luis Na\u00f3n<\/em><\/span><\/span><\/p>\n

\u0152uvres de :\u00a0<\/span><\/span>Franco Donatoni, Luis Na\u00f3n, Bruno Mantovani, Philippe Manoury<\/span><\/span><\/p>\n

Label : NOWLANDS<\/a><\/span><\/span><\/p>\n

\n

\"\"<\/p>\n

YOU MUST THINK FIRST
\nLucas Genas, percussion<\/em><\/span><\/span><\/strong><\/p>\n

Lettre inach\u00e9v\u00e9e \/ URBANA 3, <\/span><\/span><\/strong>de Luis Na\u00f3n<\/em><\/span><\/span>
\n<\/span><\/span><\/strong>et \u0153uvres de\u00a0 Xenakis, J\u00e9r\u00f4me Bertholon, Fr\u00e9d\u00e9rick Martin et\u00a0 Steve Reich<\/span><\/span>
\n<\/span><\/span><\/strong><\/p>\n

Le disque comprend un livret avec des textes originaux de :<\/div>\n
William Blank, Jean-Fran\u00e7ois Boukobza, Luis Na\u00f3n,\u00a0J\u00e9r\u00f4me Bertholon<\/strong><\/div>\n


\n<\/span><\/em><\/span>Label : Alliage Sonore<\/a><\/span><\/span><\/p>\n

\n

\"\"<\/span><\/strong><\/p>\n

Trio Polycordes 3 & Mareike Schellenberger
\nTres cantos a Pandora, <\/span>de Luis Na\u00f3n<\/em><\/span>
\n<\/span><\/span><\/strong>pour mezzo-soprano, mandoloncelle, guitare et harpe
\n<\/span><\/span>
\n<\/span><\/span>Sandrine Chatron, <\/span><\/span><\/strong>harpe
\n<\/span><\/em><\/span>Florentino Calvo<\/span>, <\/span><\/em><\/span><\/strong>mandoline<\/span><\/em><\/span>
\n<\/span><\/em>Jean-Marc Zvellenreuther, <\/span><\/span><\/strong>guitare<\/span><\/em><\/span><\/p>\n

Label : La Folia madrigal<\/span><\/span><\/p>\n

\n

\"\"<\/p>\n

UTOPICO
\nQuatuor Yendo<\/span><\/span><\/strong><\/p>\n

Tangos Utopicos, <\/span><\/span><\/strong>de Luis Na\u00f3n<\/em><\/span><\/span>
\npour quatuor de saxophones<\/span><\/span><\/strong><\/p>\n

\u0153uvres de Granados et Luis Naon<\/p>\n

\n

\"\"<\/p>\n

Tango continuo
\n<\/span><\/strong>Carl-Emmanuel Fisbach and David Panzl<\/a><\/p>\n

Alto voltango, <\/span><\/span><\/strong>de Luis Na\u00f3n<\/em><\/span><\/span><\/p>\n

Label : Paraty<\/p>\n

\n

\"stacks_image_4082\"<\/a>
\nLuis Na\u00f3n :\u00a0Princesses<\/span><\/strong>
\nEnsemble Instrumental ARS NOVA<\/strong>
\nD<\/a>irection : Philippe Nahon<\/strong><\/span><\/p>\n

2 CD
\n<\/span><\/em>Label\u00a0:\u00a0L’Empreinte digitale<\/a>
\nED13239 – 3760002130279
\n<\/span>mars\u00a02015<\/span><\/em><\/p>\n

\n

\"Sainte
\nLuis Na\u00f3n :\u00a0Sainte Nitouche (la fille ni bien ni mal)<\/span><\/strong>
\nEnsemble Diagonal<\/a><\/span><\/p>\n

Op\u00e9ra de poche de Luis Na\u00f3n\u00a0<\/strong>sur textes de Yves Pag\u00e8s<\/strong>
\nDirection musicale :<\/span> Rut Schereiner<\/strong>
\nInterpr\u00e9tation :<\/span> Ensemble Diagonal<\/strong>
\n<\/span>copyright G\u00e9rard Billaudot Editeur (2002)
\n<\/span><\/em>Enregistrement<\/span> : Laurent Compignie<\/strong>,\u00a0Studios Malambo<\/span>
\n<\/a>Mixage : La Muse en Circuit<\/a>
\n<\/strong><\/span>mai 2012<\/span><\/em><\/p>\n

\n

\"Lascaux
\nLuis Na\u00f3n :\u00a0Lascaux Exp\u00e9rience<\/span><\/strong>
\nEnsemble Laborintus<\/a><\/span>
\nLabel C\u00e9sar\u00e9
\nmai 2012<\/span><\/em><\/p>\n

\n

\"Trames<\/strong><\/p>\n

Trames<\/span>
\nCompositions Electro \/ Acoustiques <\/strong>
\nLuis Na\u00f3n, Samuel Sighicelli, S\u00e9bastien B\u00e9ranger,
\nDavid Jisse, S\u00e9bastien Roux<\/p>\n

Production La Muse en Circuit<\/a><\/span>,
\nCentre national de cr\u00e9ation musicale<\/span>
\nmai 2010
\n<\/span><\/em><\/p>\n

\n

\"\"<\/em><\/p>\n

“Tango Futur” Paris – Buenos Aires<\/span>
\n<\/strong>“Alto Voltango” “Deux tangos du cycle Amor a Roma”
\nClaude Delangle<\/strong>, saxophone<\/em>, Jean Geoffroy<\/strong>, percussion<\/em>, Susanna \u00a0Moncayo von Hasse<\/strong>, voix<\/em>, Max Bonnay<\/strong>, bandon\u00e9on<\/em>, Odile Delangle<\/strong>, piano<\/em>, Eric Chalan<\/strong>, contrebasse<\/em>,
\nBIS Records, CD 1170<\/p>\n

\n
\n

\"\"
\n“Alto Voltango”<\/strong><\/span>
\npour saxophone alto et vibraphone.
\nPhilippe Bracquart<\/strong>, saxophone<\/em>. Philippe Limoge<\/strong>, vibraphone<\/em>.<\/p>\n

\n

\"\"
\n“Tango del desamparo”<\/strong><\/span>
\npour violoncelle, piano et bande magn\u00e9tique.
\nGrupo Encuentros<\/strong><\/em>.
\nCarlos Nozzi<\/strong>, violoncelle<\/em>. Claudio Espector<\/strong>, piano<\/em>.
\nDiscos Cosentino.<\/p>\n

\n

\"\"
\n“Alto Voltango”<\/strong><\/span>
\npour saxophone alto et vibraphone
\nErwan Fagant<\/strong>, saxophone<\/em>. Herv\u00e9 Trovel<\/strong>, vibraphone<\/em>.
\nCollection Jeunes Solistes
\nFondation Meyer – CNSM de Paris – Cit\u00e9 de la Musique<\/p>\n

\n

\"\"
\n“Ombres d’hallucinations et de mort”<\/strong>
\npour violoncelle et orchestre
\nNew Moscow Symphony Orchestra
\nEduardo Valenzuela, violoncelle. Vladimir Ponkin, direction.
\nDisques DOM (DOM CD 1424)<\/p>\n

\n

\"\"
\n“Ombres d’hallucinations et de mort”<\/strong>
\npour violoncelle et orchestre
\nJeune Philharmonie de Seine-Saint-Denis
\nDelphine Caron, violoncelle. Henri-Calude Fantapi\u00e9, direction.<\/p>\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

M\u00c9LANGE Guillermo Anzorena, baryton\u00a0 \u00a0 \u00a0Silvia Dabul, piano Amor a Roma, de Luis Na\u00f3n et \u0153uvres de\u00a0 Berio, Mucillo, Ronchetti, Sciarrino, Lambertini, Solare, Barber Ce disque est consacr\u00e9 \u00e0 la m\u00e9lodie, au lied, en espagnol, litt\u00e9ralement \u00ab chanson de chambre \u00bb. Il \u00ab m\u00e9lange \u00bb subtilement, savoureusement des traditions diff\u00e9rentes dont le point commun est … Continue reading Discography<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1770","page","type-page","status-publish","hentry"],"yoast_head":"\nDiscography - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/discography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Discography - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"M\u00c9LANGE Guillermo Anzorena, baryton\u00a0 \u00a0 \u00a0Silvia Dabul, piano Amor a Roma, de Luis Na\u00f3n et \u0153uvres de\u00a0 Berio, Mucillo, Ronchetti, Sciarrino, Lambertini, Solare, Barber Ce disque est consacr\u00e9 \u00e0 la m\u00e9lodie, au lied, en espagnol, litt\u00e9ralement \u00ab chanson de chambre \u00bb. Il \u00ab m\u00e9lange \u00bb subtilement, savoureusement des traditions diff\u00e9rentes dont le point commun est … Continue reading Discography →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luisnaon.com\/en\/discography\/\" \/>\n<meta property=\"og:site_name\" content=\"Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-20T08:56:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/COUV_ED13249-Carre-1200dpi.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/\",\"url\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/\",\"name\":\"Discography - Luis Na\u00f3n \\\/ compositeur\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/luisnaon.com\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/COUV_ED13249-Carre-1200dpi-300x300.jpg\",\"datePublished\":\"2020-03-01T09:21:24+00:00\",\"dateModified\":\"2025-02-20T08:56:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/#primaryimage\",\"url\":\"https:\\\/\\\/luisnaon.com\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/COUV_ED13249-Carre-1200dpi-300x300.jpg\",\"contentUrl\":\"https:\\\/\\\/luisnaon.com\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/COUV_ED13249-Carre-1200dpi-300x300.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/discography\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Discography\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#website\",\"url\":\"https:\\\/\\\/luisnaon.com\\\/\",\"name\":\"Luis Na\u00f3n \\\/ compositeur\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/luisnaon.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Discography - Luis Na\u00f3n \/ compositeur","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/luisnaon.com\/en\/discography\/","og_locale":"en_US","og_type":"article","og_title":"Discography - Luis Na\u00f3n \/ compositeur","og_description":"M\u00c9LANGE Guillermo Anzorena, baryton\u00a0 \u00a0 \u00a0Silvia Dabul, piano Amor a Roma, de Luis Na\u00f3n et \u0153uvres de\u00a0 Berio, Mucillo, Ronchetti, Sciarrino, Lambertini, Solare, Barber Ce disque est consacr\u00e9 \u00e0 la m\u00e9lodie, au lied, en espagnol, litt\u00e9ralement \u00ab chanson de chambre \u00bb. Il \u00ab m\u00e9lange \u00bb subtilement, savoureusement des traditions diff\u00e9rentes dont le point commun est … Continue reading Discography →","og_url":"https:\/\/luisnaon.com\/en\/discography\/","og_site_name":"Luis Na\u00f3n \/ compositeur","article_modified_time":"2025-02-20T08:56:03+00:00","og_image":[{"width":700,"height":700,"url":"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/COUV_ED13249-Carre-1200dpi.jpg","type":"image\/jpeg"}],"twitter_misc":{"Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/luisnaon.com\/en\/discography\/","url":"https:\/\/luisnaon.com\/en\/discography\/","name":"Discography - Luis Na\u00f3n \/ compositeur","isPartOf":{"@id":"https:\/\/luisnaon.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/luisnaon.com\/en\/discography\/#primaryimage"},"image":{"@id":"https:\/\/luisnaon.com\/en\/discography\/#primaryimage"},"thumbnailUrl":"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/COUV_ED13249-Carre-1200dpi-300x300.jpg","datePublished":"2020-03-01T09:21:24+00:00","dateModified":"2025-02-20T08:56:03+00:00","breadcrumb":{"@id":"https:\/\/luisnaon.com\/en\/discography\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/luisnaon.com\/en\/discography\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/luisnaon.com\/en\/discography\/#primaryimage","url":"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/COUV_ED13249-Carre-1200dpi-300x300.jpg","contentUrl":"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/COUV_ED13249-Carre-1200dpi-300x300.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/luisnaon.com\/en\/discography\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/luisnaon.com\/en\/"},{"@type":"ListItem","position":2,"name":"Discography"}]},{"@type":"WebSite","@id":"https:\/\/luisnaon.com\/#website","url":"https:\/\/luisnaon.com\/","name":"Luis Na\u00f3n \/ compositeur","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/luisnaon.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8dE3Z-sy","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/pages\/1770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/comments?post=1770"}],"version-history":[{"count":1,"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/pages\/1770\/revisions"}],"predecessor-version":[{"id":2842,"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/pages\/1770\/revisions\/2842"}],"wp:attachment":[{"href":"https:\/\/luisnaon.com\/en\/wp-json\/wp\/v2\/media?parent=1770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}