{"id":1810,"date":"2020-03-01T10:18:52","date_gmt":"2020-03-01T10:18:52","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1810"},"modified":"2023-07-10T12:42:22","modified_gmt":"2023-07-10T12:42:22","slug":"urbana-24-cycle","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/urbana-24-cycle\/","title":{"rendered":"Urbana 24 Cycle"},"content":{"rendered":"

\"\"<\/p>\n

\u00a9 Nicol\u00e1s Acu\u00f1a<\/span>
\n
\n<\/strong><\/p>\n

This cycle includes 24 + 1 compositions.<\/strong><\/p>\n

The goals of this cycle, in no particular order, are:<\/span><\/p>\n

    \n
  1. To write music without constraint for several years.<\/span><\/li>\n
  2. Not to truly finish a piece, but to produce fragments of a more extensive piece, which includes it.<\/span><\/li>\n
  3. To break with the classic framework of the composition, many times small and unsatisfactory. A synonym of absurd admiration and recognition.<\/span><\/li>\n
  4. To build a world in which its parts, interchangeable, may be governed by different rules.<\/span><\/li>\n
  5. To take part, with my work, in the creative universe of other artists.<\/span><\/li>\n
  6. To subjugate and adapt the pieces as material, to different contexts in order for them to be a part of a collective work.<\/span><\/li>\n
  7. To construct, little by little, a Utopia.<\/span><\/li>\n
  8. To invade, some day, everyday places.<\/span><\/li>\n<\/ol>\n

    The 24 + 1 pieces of Urbana Cycle<\/em><\/strong><\/p>\n\n\n\n\n\n\n\n
    \n

    Urbana<\/strong><\/a><\/span><\/p>\n

    U1<\/p>\n<\/td>\n

    		Lascaux Urbana<\/strong>
    \n<\/a><\/span>U2.b<\/p>\n

    Lascaux (Exp\u00e9rience)<\/strong>
    \n<\/a><\/span>U2.b<\/p>\n<\/td>\n

    		Lettre
    \ninachev\u00e9e
    \n<\/strong><\/a><\/span>U3<\/td>\n    		Quatuor \u00e0<\/a><\/span>
    \n     cordes (roue-\u00e9toile)<\/a><\/span>
    \n<\/strong><\/span>U4<\/td>\n    		\n

    Obertura Urbana
    \n<\/a><\/span>U5<\/p>\n

    Trois pi\u00e8ces pour quatre timbales<\/a><\/span><\/strong>
    \nU5.b<\/p>\n<\/td>\n<\/tr>\n

    \n

    Claustrum<\/a><\/strong><\/span><\/p>\n

    U6<\/p>\n<\/td>\n

    		\n

    Ka,
    \ncinq po\u00e8mes musicaux
    \n<\/a><\/strong><\/span>U7<\/p>\n

    Ka II<\/a><\/span><\/strong>
    \n(U7.b)<\/p>\n<\/td>\n

    		\n

    La sph\u00e8re et la pierre<\/strong><\/a><\/span><\/p>\n

    U8<\/p>\n<\/td>\n

    		\n

    Au del\u00e0 du
    \nrouge<\/strong><\/a><\/span><\/p>\n

    U9<\/p>\n<\/td>\n

    		\n

    Speculorum Memoria<\/a><\/span><\/p>\n

    U10<\/p>\n<\/td>\n<\/tr>\n

    6 Caprices
    \n<\/a><\/span><\/strong>U11<\/td>\n    		Amor a Roma
    \n<\/a><\/span><\/strong>U12.a
    \n    U12.b<\/a><\/span><\/strong><\/td>\n    		Sextuor
    \n\u00ab . \u00bb
    \n<\/a><\/strong><\/span>U25<\/td>\n    		Portraits
    \n<\/strong>U13<\/a><\/span><\/td>\n    		\n

    Clairi\u00e8re<\/strong><\/a><\/span><\/p>\n

    U14<\/a>
    \n    U14.b<\/a><\/p>\n<\/td>\n<\/tr>\n

    \n

    Diabolus Urbanus<\/strong><\/a><\/span><\/p>\n

    U15<\/p>\n<\/td>\n

    		\n

    Requiem pour un Bookmaker chinois<\/strong><\/a><\/span><\/p>\n

    U16<\/p>\n<\/td>\n

    		\n

    Cruz y
    \nFicciones<\/strong><\/a><\/span><\/p>\n

    U17<\/p>\n<\/td>\n

    		\n

    Diagonal<\/strong><\/a><\/span><\/p>\n

    U18<\/p>\n<\/td>\n

    		\n

    Senderos\u2026 que bifurcan<\/a><\/strong><\/span><\/p>\n

    U19<\/p>\n<\/td>\n<\/tr>\n

    \n

    Perspectives<\/a><\/strong><\/span><\/p>\n

    U20<\/p>\n<\/td>\n

    		\n

    Double
    \nUrbana<\/strong><\/a><\/span><\/p>\n

    U21<\/p>\n<\/td>\n

    		\n

    Sainte
    \nNitouche<\/a><\/strong><\/span><\/p>\n

    U22<\/p>\n<\/td>\n

    		\n

    Alto Voltango<\/strong><\/a><\/span><\/p>\n

    U23<\/p>\n<\/td>\n

    		\n

    Fermata<\/strong><\/a><\/span><\/p>\n

    U24<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    \u00a9 Nicol\u00e1s Acu\u00f1a This cycle includes 24 + 1 compositions. The goals of this cycle, in no particular order, are: To write music without constraint for several years. Not to truly finish a piece, but to produce fragments of a more extensive piece, which includes it. To break with the classic framework of the composition, … Continue reading Urbana 24 Cycle<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-1810","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en"],"yoast_head":"\nUrbana 24 Cycle - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/urbana-24-cycle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Urbana 24 Cycle - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"\u00a9 Nicol\u00e1s Acu\u00f1a This cycle includes 24 + 1 compositions. 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