{"id":1812,"date":"2020-03-01T10:35:14","date_gmt":"2020-03-01T10:35:14","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1812"},"modified":"2023-07-10T13:11:54","modified_gmt":"2023-07-10T13:11:54","slug":"portraits-craches-urbana-13-2013","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/portraits-craches-urbana-13-2013\/","title":{"rendered":"Portraits crach\u00e9s (Urbana 13) (2013)"},"content":{"rendered":"

Portraits Crach\u00e9s\u00a0<\/strong>\u00a0(Urbana 13) (2013)
\nFaithful (scratched) Portraits<\/strong>
\n<\/span>For acordeon, 2 percussions, fixed sound and video projection.
\nDrawings by Abel Robino, video by Diego Pittaluga.
\nBased on texts by Yves Pages<\/strong><\/p>\n

Commissioned by INA-GRM. Released in Radio France on 11 May 2013.<\/span><\/p>\n

Images by Abel Robino and Diego Pittaluga.<\/span><\/p>\n

\"pc\"<\/p>\n

\n

Pri\u00e8re d\u2019ins\u00e9rer ces sans dialogue fixe, omis de la premi\u00e8re heure, caract\u00e8res jamais imprim\u00e9s, pseudo-pseudos, pr\u00e9pilonn\u00e9s d\u2019office, dyslexiques sexuels, oisifs inter-c\u00e9r\u00e9braux, incompossibles mutuels, fausses notes en bas de page,\u2026 soci\u00e9taires du pestacle, personnages en fin de droits, , petites natures mortes au travail, sculpteurs sans statut\u2026<\/p>\n

<\/p>\n<\/blockquote>\n

For this version of the Portraits Crach\u00e9<\/strong>s, which may be translated as <\/span>Living Portraits<\/i><\/strong> or <\/span>Faithful Portraits <\/i><\/strong>but at the same time \u201cscratched\u201d or spit upon, (in French, the ambiguity of its naming clearly displays the double meaning) I have chosen a series of short texts from the first volume of Pages\u2019 book, as well as extracts from the publication of his \u201cenfin brefs\u201d \u2014<\/span>finally brief<\/span><\/i>\u2014<\/span>(see www.archyves.net<\/a><\/span>), et les litanies que Fran\u00e7ois Wastiaux<\/strong> a mise en sc\u00e8ne, en d\u00e9cembre 2007.<\/p>\n

and the lethanies which dramatist Francois Wastiaux staged on December 2007.<\/span><\/p>\n

The ensemble gives place to a form that is set between concert music and the radiophonic piece, performed live by the KDM trio. These musical characters placed in the very universe of the word and the portrait, become, without the need to speak, the commentators, the never-printed parentheses, the subliminals for the unsaid\u2026 The musical trio takes the shape, I would say, with sorrow, of Lucien, Ren\u00e9, Claudine, Bachir, All\u00ed, Elise, Sheila, who are fictitious or real characters marginal to the social and the literary.<\/span><\/p>\n

In the bifurcations that the musicians proposed my own commentaries on these texts, which are abstract because of their purely musical nature, can be heard, clearly and also deferred.<\/span><\/p>\n

To paraphrase Yves Pag\u00e8s, I would say that<\/span><\/p>\n

\n

They are living portraits, thrown like that, to the air, and that fatally, they had to fall on us.<\/p>\n

\n<\/blockquote>\n

Special thanks to Amandine, Anthony, Barnab\u00e9, Gilles, Jean, Luis, Mahtias, Rodrigo, Rut, St\u00e9phanie, d\u2019avoir pr\u00eat\u00e9 leurs voix \u00e0 Alexis, Charlotte, Bachir, etc.<\/span><\/p>\n

The book \u201cPortraits Chrach\u00e9s 2\u201d, a new extended versi\u00f3n, is published in the Verticales editions. The score in <\/span>\u00a0<\/span>Babelscores.com<\/a>.<\/span><\/p>\n

\n
\n

Portraits crach\u00e9s
\n<\/strong>Total length: 31’29 seconds<\/em>
\n<\/em>Anthony Millet, <\/strong>accordeon<\/em>
\nGilles Durot et Bachar Khalif\u00e9, <\/strong>percussions
\nEnregistr\u00e9 au Studio 115 de\u00a0la Maison de la Radio \u00e0 Paris, le 11 mai 2013<\/em>
\nFrench Version,\u00a0 compositing by Diego Pittaluga on drawings and graffitis by Abel Robino
\n