{"id":1870,"date":"2020-03-01T12:02:55","date_gmt":"2020-03-01T12:02:55","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1870"},"modified":"2025-02-17T14:51:47","modified_gmt":"2025-02-17T14:51:47","slug":"three-pieces-for-4-timbales-2007-urbana-5b","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/three-pieces-for-4-timbales-2007-urbana-5b\/","title":{"rendered":"Three pieces for 4 timbales. (2007) (Urbana 5b)"},"content":{"rendered":"

Three pieces for 4 timbales<\/b>.<\/strong><\/p>\n

for Guillaume Lantonnet and Jean Geoffroy<\/em><\/p>\n

Cette \u0153uvre est en filiation directe avec Obertura Urbana<\/strong>, concerto pour bandon\u00e9on et orchestre (Urbana 4) dont j\u2019ai extrait la partie de timbale du premier mouvement. Celle-ci, devenue la premi\u00e8re de ces trois pi\u00e8ces, a \u00e9t\u00e9 le point de d\u00e9part d\u2019un nouveau travail.<\/p>\n

<\/p>\n

This composition is an emanation from Obertura Urbana<\/strong>, concerto for bandoneon and orchestra<\/strong> (Urbana 4) from which I pulled out the timbal part of the first movement that turned into the first of these three pieces and has been the starting point of a new work.<\/span><\/p>\n

These pieces constitute a journey between rhythm and timbre through the glissando.\u00a0<\/span><\/p>\n

It constitutes a way of going from something pure to something diffused, from epic to tender. From the imposing superficiality to an origin.<\/span><\/p>\n

They are an overview on the dispersion energy in time. A way of questioning the security and unveil the intimate.<\/span><\/p>\n

They are a progressive way of favouring fragility.<\/span><\/p>\n

A diminuendo.<\/span><\/p>\n

\n

N\u00b0 I
\n<\/strong><\/p>\n

N\u00b0 II
\n<\/strong><\/p>\nhttps:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/timbales\/timb_2.mp3<\/a><\/audio>\n

N\u00b0 III<\/strong><\/p>\nhttps:\/\/www.luis-naon.com\/luisnaon\/wp-content\/uploads\/music\/timbales\/timb_3.mp3<\/a><\/audio>\n

Three pieces for 4 timbale<\/b>s<\/strong> (urbana 5-b)
\nGuillaume Lantonnet, timbales<\/em>
\nRecording at Salle Ernest Ansermet
\nConcert Maillages Sonores du Centre International de Percussion
\n8 f\u00e9vrier 2008, Gen\u00e8ve.
\n<\/em><\/p>\n
\n

Edited in Babelscores<\/p>\n

<\/p>\n\n\n <\/map>\n

\n
\n

[ Urbana Cycle ]
\n<\/a>[ Solo instrument \/ with or without electronics ]<\/a><\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Three pieces for 4 timbales. for Guillaume Lantonnet and Jean Geoffroy Cette \u0153uvre est en filiation directe avec Obertura Urbana, concerto pour bandon\u00e9on et orchestre (Urbana 4) dont j\u2019ai extrait la partie de timbale du premier mouvement. Celle-ci, devenue la premi\u00e8re de ces trois pi\u00e8ces, a \u00e9t\u00e9 le point de d\u00e9part d\u2019un nouveau travail.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,64,70],"tags":[],"class_list":["post-1870","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-5-solo-instrument-with-or-without-electronics","category-all-the-compositions"],"yoast_head":"\nThree pieces for 4 timbales. 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