{"id":1887,"date":"2020-03-01T12:44:22","date_gmt":"2020-03-01T12:44:22","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1887"},"modified":"2023-07-10T14:37:35","modified_gmt":"2023-07-10T14:37:35","slug":"clairiere-2002-urbana-14","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/clairiere-2002-urbana-14\/","title":{"rendered":"Clairi\u00e8re (2002) (Urbana 14)"},"content":{"rendered":"

For clarinet and fixed sounds in 5.1<\/b><\/p>\n

Duration: Circa 12 minutes 30<\/span><\/p>\n

Commissioned by the French State and CNCM La Muse en Circuit<\/p>\n

for Philippe Berrod<\/span><\/em><\/p>\n

Premiered in the monographic concert on 11th June 2002 in Carr\u00e9 Sylvia Monfort in the frame of the programming of \u201cLa Muse en Circuit\u201d \u2212Festival Extension du domaine de la note.<\/span><\/p>\n

\n

Audio file:
\nPhilippe Berrod,<\/strong> clarinette <\/em>
\nRecorded for the CD Sainte Nitouche et ses satellites<\/strong><\/em>. Transaural Version\u00a0<\/p>\n

<\/p>\n

Clairi\u00e8re is the first work born directly from a 5.1 system.<\/span><\/p>\n

Creating from the beginning a work with these premises allows one to imagine and to \u201cwrite\u201d the sound space knowing that spatial instructions will be reproduced identically.<\/span><\/p>\n

The recording and mixing experience of <\/span>Diabolus Urbanus<\/b> guided the configuration of the real performance space of the space in <\/span>Clairi\u00e8re<\/b>. This piece takes on an amplification with four microphones for the clarinetist who, in this way, sets the sound in space without using any live system treatment.<\/span><\/p>\n

Many composers have used the issue of acoustic space in their composition. Let us mention Thomas Tallis\u2019\u00a0 \u201cSpen in alium\u201d motete in 40 real voices, in which the singers are placed in a circle around queen Elizabeth for her first birthday. Another case worth mentioning is Giovanii Gabrielli\u2019s double chorus space imposed by San Marco of Venice.<\/span><\/p>\n

We can also rethink the dynamic issue that appears during classicism as a movement in space of the sound: a crescendo is an approach to sound, a diminuendo is its withdraw, turning the space into a component linked to music abstraction.<\/span><\/p>\n

For many years, the spatial approach to sound has been generalized and intensified. We can suppose that the technical development will tend to keep to itself this component which is becoming more important in current music, thus, turning the spatial approach to music into a premise for composition.<\/span><\/p>\n

The idea for <\/span>Clairi\u00e8re<\/b>, closely related to the Urbana cycle, was to establish a play ground completely alien to this urban universe. It is precisely, as the title remarks, a clearing in the urban woods, a sudden space in which the only rule is made by the instrument and its surroundings.<\/span><\/p>\n

 <\/p>\n

\n

Edited in Babelscores.<\/p>\n

<\/p>\n

\n

[ Urbana Cycle ]<\/a>
\n[ Solo instrument \/ with or without electronics ]<\/a><\/p>\n\n<\/map><\/p>\n","protected":false},"excerpt":{"rendered":"

For clarinet and fixed sounds in 5.1 Duration: Circa 12 minutes 30 Commissioned by the French State and CNCM La Muse en Circuit for Philippe Berrod Premiered in the monographic concert on 11th June 2002 in Carr\u00e9 Sylvia Monfort in the frame of the programming of \u201cLa Muse en Circuit\u201d \u2212Festival Extension du domaine de … Continue reading Clairi\u00e8re (2002) (Urbana 14)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,64],"tags":[],"class_list":["post-1887","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-5-solo-instrument-with-or-without-electronics"],"yoast_head":"\nClairi\u00e8re (2002) (Urbana 14) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/clairiere-2002-urbana-14\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clairi\u00e8re (2002) (Urbana 14) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For clarinet and fixed sounds in 5.1 Duration: Circa 12 minutes 30 Commissioned by the French State and CNCM La Muse en Circuit for Philippe Berrod Premiered in the monographic concert on 11th June 2002 in Carr\u00e9 Sylvia Monfort in the frame of the programming of \u201cLa Muse en Circuit\u201d \u2212Festival Extension du domaine de … Continue reading Clairi\u00e8re (2002) (Urbana 14) →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luisnaon.com\/en\/clairiere-2002-urbana-14\/\" \/>\n<meta property=\"og:site_name\" content=\"Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-01T12:44:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T14:37:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/10\/logo_babel_copie.png\" \/>\n<meta name=\"author\" content=\"admin4luis\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin4luis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/clairiere-2002-urbana-14\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/clairiere-2002-urbana-14\\\/\"},\"author\":{\"name\":\"admin4luis\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#\\\/schema\\\/person\\\/3972d8c1fd95485284e1cba0cba78f0f\"},\"headline\":\"Clairi\u00e8re (2002) (Urbana 14)\",\"datePublished\":\"2020-03-01T12:44:22+00:00\",\"dateModified\":\"2023-07-10T14:37:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/clairiere-2002-urbana-14\\\/\"},\"wordCount\":381,\"image\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/clairiere-2002-urbana-14\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/luisnaon.com\\\/wp-content\\\/uploads\\\/2014\\\/10\\\/logo_babel_copie.png\",\"articleSection\":[\"1. 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