{"id":1898,"date":"2020-03-01T13:01:36","date_gmt":"2020-03-01T13:01:36","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1898"},"modified":"2023-07-10T14:41:00","modified_gmt":"2023-07-10T14:41:00","slug":"amor-a-roma-2001-urbana-12b","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/amor-a-roma-2001-urbana-12b\/","title":{"rendered":"Amor a Roma (2001) (Urbana 12b)"},"content":{"rendered":"<p><strong>For mezzo-soprano and chamber orchestra (15 instruments)<\/strong><\/p>\n<p><strong><span style=\"font-weight: 400;\">Six songs on <strong>C.E. Feiling<\/strong>\u2019s texts<\/span><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.pagina12.com.ar\/fotos\/libros\/20051106\/notas_i\/feiling.jpg\" alt=\"\" width=\"138\" height=\"210\" \/><\/strong><\/p>\n<p><!--more--><br \/>\n&#8211; Alondra de luz<br \/>\n&#8211; Plango vulnera<br \/>\n&#8211; Himeneo<br \/>\n&#8211; Com\u00fan requiebro<br \/>\n&#8211; Proceso<br \/>\n&#8211; Leve Copla-El af\u00e1n de la pena<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The collaboration with \u201cCharlie\u201d (Feiling) begins with our teenage years in the Liceo. On February \u201897 I started writing a song cycle about Amor a Roma (title of the book and also a palindrome in Spanish which means: Love of Rome)\u00a0 as a space of friendship that would allow us to further develop our complicity and discussions. Later on I \u201ccommissioned\u201d a plot in the shape of a short story for the composition of a vocal piece about Buenos Aires (he started a short story \u201clea el PH\u201d [read the PH] which seemed promising but remained unfinished). In the month of June (the 5th) I sent the first song for his birthday and we promised each other, with the complicity of Susanna Moncayo, that we would premiere the songs that were finished by August or September. In July, after his third Leukemia relapse, Charlie passed away.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The first version of five from the six songs, originally made for voice and piano, premiered by Susanna Moncayo and Gerardo Gandini in\u00a0 Studio Th\u00e9\u00e2tre of Stains on February \u201898.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">I made the orchestration by completion of the cycle with two other texts from the cycle: \u201cLeve Copla\u201d for which the singer performs a spoken version, and \u201cEl af\u00e1n de la pena\u201d which is a sort of sung milonga.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The references to popular music and quotation (true or false) come from the common view that we had with Charlie about the relation between tradition and the present. The faithful witnesses of this relation are the quotes from texts in Latin from Catullus and Propertius, and the echo of the Spanish Golden Age with Quevedo and G\u00f3ngora. In Feiling\u2019s poetry, the current component is visible in the use of neologisms and winks of lunfardo (the argot of Buenos Aires) many times mixed with learned words which have to be \u201clooked up in the dictionary\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">This is one of the reasons why the venturing into diverse music styles was adopted without beating around the bush when writing the score. Having said that, it should be noted that the tangos written \u201cin style\u201d were not quoted.<\/span><\/p>\n<hr \/>\n<p>Alondra<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/alondra.mp3?_=1\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/alondra.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/alondra.mp3<\/a><\/audio>\n<p>Plango<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/plango.mp3?_=2\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/plango.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/plango.mp3<\/a><\/audio>\n<p>Himeneo<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/himeneo.mp3?_=3\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/himeneo.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/himeneo.mp3<\/a><\/audio>\n<div>Com\u00fan requiebro<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/comun.mp3?_=4\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/comun.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/comun.mp3<\/a><\/audio>\n<\/div>\n<p>Proceso<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/proceso.mp3?_=5\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/proceso.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/proceso.mp3<\/a><\/audio>\n<p>Leve \u00a0Copla-El af\u00e1n de la pena<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1898-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/leve.mp3?_=6\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/leve.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/roma\/leve.mp3<\/a><\/audio>\n<div><strong>Amor a Roma<\/strong><br \/>\nRecording of the concert at Teatro Col\u00f3n, Buenos Aires<br \/>\n<strong>Ensamble XXI<\/strong> directed by <strong>Alejo P\u00e9rez<\/strong><br \/>\n<em>Mezzo<\/em> &#8211; <strong>Susanna Moncayo von Hase<\/strong><\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/cycle-urbana-en\/\">[ Urbana <\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/luisnaon\/?cat_ID=11\">Cycle <\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/cycle-urbana-en\/\"> ]<br \/>\n<\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/6-chamber-music\/\">[ Chamber Music ]<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For mezzo-soprano and chamber orchestra (15 instruments) Six songs on C.E. Feiling\u2019s texts<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,65],"tags":[],"class_list":["post-1898","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-6-chamber-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amor a Roma (2001) (Urbana 12b) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/amor-a-roma-2001-urbana-12b\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amor a Roma (2001) (Urbana 12b) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For mezzo-soprano and chamber orchestra (15 instruments) Six songs on C.E. 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