{"id":1903,"date":"2020-03-01T13:11:30","date_gmt":"2020-03-01T13:11:30","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1903"},"modified":"2023-07-10T14:49:23","modified_gmt":"2023-07-10T14:49:23","slug":"alto-voltango-2001-urbana-23","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/alto-voltango-2001-urbana-23\/","title":{"rendered":"Alto Voltango (2001) (Urbana 23)"},"content":{"rendered":"

For alto saxophone and vibraphone.<\/b><\/p>\n

Commissioned by Soci\u00e9t\u00e9 Selmer and the XIV International Music Course of Benidorm.<\/span>
\nEditions Lemoine<\/em><\/p>\n

The work is a series of free interludes. Composed for vibraphone and alto saxophone solos, \u201cAlto Voltango\u201d might be seen as a composition within other compositions. Its decontextualization is perfectly possible. Integrated by five movements, with evocative subtitles, the work is about the high-voltage current. This current, which goes through the instrumentalists (in a way an electro acoustic piece!) is revealed by an execution precision of great individual and vertical difficulty. It has a tango perfume, a tango that has been struck by strong voltages.<\/span><\/p>\n

<\/p>\n

The mouvements:<\/strong><\/p>\n

I – Alto Voltango 1’30” \u00e0 Claude Delangle et Jean Geoffroy<\/em>
\nII- Parque Lezama 2’15” for Buenos Aires<\/em>
\nIII- Plaza Moreno 1’30” for Yiyo Cantoni\u00a0<\/em>
\nIV- Parque G\u00fcel 2’15” for l’esprit de Gaud\u00ed<\/em>
\nV- Volta altango 1’30” for “los perros y a la luna”<\/em>\u00a0<\/p>\n

\n

The precision in the duration (a little utopic in certain cases) was a request from the instrumentalists who\u00a0 gave rise to this composition (Claude Delangle and Jean Geoffroy).<\/span><\/p>\n

This initial premise is of great importance in the first vision I had of the work. First of all, they are thought of as autonomous and strong entities (they might be executed in a different order, but juxtaposing the first and the fifth would be a mistake.)<\/span><\/p>\n

They might algo alternate with works from other composers. Continuity is not indispensable, the current is definitely an alternative.<\/span><\/p>\n

The language is halfway between academic and popular music. It is under this double view that interpreters can appropriate them to give them life, without forgetting that the colour palette belongs to the contemporary world and that phraseology and inflections are closer to the voice of\u00a0 tango or the improvisations of Jimmy Hendrix.<\/span><\/p>\n

…<\/p>\n

\n

Alto Voltango I
\n<\/strong><\/p>\n

Alto Voltango II
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/002.mp3<\/a><\/audio>\n

\u00a0Alto Voltango III
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/003.mp3<\/a><\/audio>\n

\u00a0Alto Voltango IV
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/004.mp3<\/a><\/audio>\n

Alto Voltango V
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/005.mp3<\/a><\/audio>\n

Alto Voltango<\/strong><\/p>\n

Erwan Fagant<\/strong>, Saxophone<\/em>
\nHerv\u00e9 Trovel<\/strong>, vibraphone<\/em>.
\nrecorded by<\/em> Jean-Marc Lyzwa<\/strong><\/div>\n

 <\/p>\n

\n

[ Urbana Cycle ]
\n<\/a>[ Chambre Music\u00a0]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

For alto saxophone and vibraphone. Commissioned by Soci\u00e9t\u00e9 Selmer and the XIV International Music Course of Benidorm. Editions Lemoine The work is a series of free interludes. Composed for vibraphone and alto saxophone solos, \u201cAlto Voltango\u201d might be seen as a composition within other compositions. Its decontextualization is perfectly possible. Integrated by five movements, with … Continue reading Alto Voltango (2001) (Urbana 23)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,65],"tags":[],"class_list":["post-1903","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-6-chamber-music"],"yoast_head":"\nAlto Voltango (2001) (Urbana 23) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/alto-voltango-2001-urbana-23\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alto Voltango (2001) (Urbana 23) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For alto saxophone and vibraphone. Commissioned by Soci\u00e9t\u00e9 Selmer and the XIV International Music Course of Benidorm. Editions Lemoine The work is a series of free interludes. Composed for vibraphone and alto saxophone solos, \u201cAlto Voltango\u201d might be seen as a composition within other compositions. Its decontextualization is perfectly possible. 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