{"id":1911,"date":"2020-03-01T13:24:29","date_gmt":"2020-03-01T13:24:29","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1911"},"modified":"2025-02-17T15:08:50","modified_gmt":"2025-02-17T15:08:50","slug":"diabolus-urbanus-2000-urbana-15","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/","title":{"rendered":"Diabolus Urbanus (2000) (Urbana 15)"},"content":{"rendered":"<p><strong>For viola and fixed sounds\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Commissioned by the French Ministry of Culture and the l&#8217;INA-GRM.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Premiered on February the 6<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> 2001 in the Olivier Messi\u00e6n Concert Hall. Radio France.<\/span><\/p>\n<p><em>Duration: 12&#8242; 58&#8243;<\/em><\/p>\n<p><span style=\"font-weight: 400;\">This work is the 15<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> part of the <\/span><b>Urbana*<\/b><span style=\"font-weight: 400;\"> cycle, and the first of a smaller cycle for one instrument and electronics in multichannel (most of them in a 5.1 system).<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In this piece I intended to touch the extremes. The framework is in this case very important, it is a formal constraint and the substance itself of the entire purpose: the loneliness of the player facing the audience and surrounded by the electronics sounds.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In every mixed work we have this duality of the presence and the absence: a double discourse and a double imagination. On the one hand we directly hear the manner of a compositor himself, without any intermediation, the sounds and the organization he materializes in the studio are the same in the concert hall. On the other hand we have the interpretation of a second manner, through our hero for some minutes.\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00a0The public lies in between: between skin and clothing, between the frame and the canvas, between the stage and the actors, between the script and the camera. Caught in the trap of observation, an observation that can only become subversion within the energy and movement, the public becomes actor of the event.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The traditional \u201cDiabolus in musica\u201d appears in this work in this dissonance created between both words, acoustic and electroacoustic.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In this kind of setting, where the forces are essentially sound and morphology, the work can exist if the public catches, in his off field, the reality of music, this unknown ultimate journey.<\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1911-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/luisnaon.com\/wp-content\/uploads\/music\/diabolus\/diabolus.mp3?_=1\" \/><a href=\"https:\/\/luisnaon.com\/wp-content\/uploads\/music\/diabolus\/diabolus.mp3\">https:\/\/luisnaon.com\/wp-content\/uploads\/music\/diabolus\/diabolus.mp3<\/a><\/audio>\n<p><strong>Diabolus Urbanus<\/strong><\/p>\n<div>\n<p><strong> Anabela Chaves<\/strong>, <em>alto.<\/em><br \/>\nRecorded by\u00a0 <strong>Jean-Marc Lyzwa<\/strong><br \/>\nat Festival Pr\u00e9sences the 6 february 2001<\/p>\n<hr \/>\n<p>* <em>score on demand, not published.<\/em><\/p>\n<\/div>\n<hr \/>\n<p><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/cycle-urbana-en\/\">[ Urbana Cycle ]<br \/>\n<\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/5-solo-instrument-with-or-without-electronics\/\">[ Solo instrument \/ with or without electronics ]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For viola and fixed sounds\u00a0 Commissioned by the French Ministry of Culture and the l&#8217;INA-GRM. Premiered on February the 6th 2001 in the Olivier Messi\u00e6n Concert Hall. Radio France. Duration: 12&#8242; 58&#8243; This work is the 15th part of the Urbana* cycle, and the first of a smaller cycle for one instrument and electronics in &hellip; <a href=\"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Diabolus Urbanus (2000) (Urbana 15)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,64,70],"tags":[],"class_list":["post-1911","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-5-solo-instrument-with-or-without-electronics","category-all-the-compositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diabolus Urbanus (2000) (Urbana 15) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diabolus Urbanus (2000) (Urbana 15) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For viola and fixed sounds\u00a0 Commissioned by the French Ministry of Culture and the l&#8217;INA-GRM. 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Duration: 12&#8242; 58&#8243; This work is the 15th part of the Urbana* cycle, and the first of a smaller cycle for one instrument and electronics in &hellip; Continue reading Diabolus Urbanus (2000) (Urbana 15) &rarr;","og_url":"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/","og_site_name":"Luis Na\u00f3n \/ compositeur","article_published_time":"2020-03-01T13:24:29+00:00","article_modified_time":"2025-02-17T15:08:50+00:00","author":"admin4luis","twitter_misc":{"Written by":"admin4luis","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/#article","isPartOf":{"@id":"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/"},"author":{"name":"admin4luis","@id":"https:\/\/luisnaon.com\/#\/schema\/person\/3972d8c1fd95485284e1cba0cba78f0f"},"headline":"Diabolus Urbanus (2000) (Urbana 15)","datePublished":"2020-03-01T13:24:29+00:00","dateModified":"2025-02-17T15:08:50+00:00","mainEntityOfPage":{"@id":"https:\/\/luisnaon.com\/en\/diabolus-urbanus-2000-urbana-15\/"},"wordCount":323,"articleSection":["1. 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