{"id":1935,"date":"2020-03-01T14:10:54","date_gmt":"2020-03-01T14:10:54","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1935"},"modified":"2023-07-10T15:04:53","modified_gmt":"2023-07-10T15:04:53","slug":"sextuor-1994-95-urbana-25","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/sextuor-1994-95-urbana-25\/","title":{"rendered":"Sextuor \u00ab . \u00bb (1994-95) (Urbana 25)"},"content":{"rendered":"

For a trio of clarinets and a trio of strings<\/b><\/p>\n

Commissioned by TM+ ensemble<\/b><\/p>\n

The different motivations for the composition of <\/span>Sextuor \u00ab . \u00bb<\/b>, together with the languages used to put them into practice (languages that may appear, at first sight, antinomic or whimsical), are materialised as a sort of auditory journey that becomes the play itself. In this journey the ideas take precedence without the stages or states being fully shown. What matters is that from an old memory (either true or false), a new piece can emerge.<\/span><\/p>\n

In the first notes of the <\/span>Sextuor \u00ab . \u00bb<\/b> programme I made explicit reference to the title, and in particular to that central dot, which marks the empty space. It is this emptiness as a metaphor what can cover such diverse nouns like: the journey, the departure, the broken string, the structure, the numbers, the beauty, or the sadness of a marine\u2019s whistle.<\/span><\/p>\n

Freedom is attained through that emptiness.<\/span><\/p>\n

\n

Sextuor \u00ab . \u00bb
\n<\/strong><\/p>\n

\n

[ Urbana Cycle ]
\n<\/a>[ Chambre Music\u00a0]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

For a trio of clarinets and a trio of strings Commissioned by TM+ ensemble The different motivations for the composition of Sextuor \u00ab . \u00bb, together with the languages used to put them into practice (languages that may appear, at first sight, antinomic or whimsical), are materialised as a sort of auditory journey that becomes … Continue reading Sextuor \u00ab . \u00bb (1994-95) (Urbana 25)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,65,70],"tags":[],"class_list":["post-1935","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-6-chamber-music","category-all-the-compositions"],"yoast_head":"\nSextuor \u00ab . \u00bb (1994-95) (Urbana 25) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/sextuor-1994-95-urbana-25\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sextuor \u00ab . \u00bb (1994-95) (Urbana 25) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For a trio of clarinets and a trio of strings Commissioned by TM+ ensemble The different motivations for the composition of Sextuor \u00ab . \u00bb, together with the languages used to put them into practice (languages that may appear, at first sight, antinomic or whimsical), are materialised as a sort of auditory journey that becomes … Continue reading Sextuor \u00ab . \u00bb (1994-95) (Urbana 25) →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luisnaon.com\/en\/sextuor-1994-95-urbana-25\/\" \/>\n<meta property=\"og:site_name\" content=\"Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-01T14:10:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T15:04:53+00:00\" \/>\n<meta name=\"author\" content=\"admin4luis\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin4luis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/sextuor-1994-95-urbana-25\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/sextuor-1994-95-urbana-25\\\/\"},\"author\":{\"name\":\"admin4luis\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#\\\/schema\\\/person\\\/3972d8c1fd95485284e1cba0cba78f0f\"},\"headline\":\"Sextuor \u00ab . \u00bb (1994-95) (Urbana 25)\",\"datePublished\":\"2020-03-01T14:10:54+00:00\",\"dateModified\":\"2023-07-10T15:04:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/sextuor-1994-95-urbana-25\\\/\"},\"wordCount\":175,\"articleSection\":[\"1. 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