{"id":1950,"date":"2020-03-01T14:33:46","date_gmt":"2020-03-01T14:33:46","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1950"},"modified":"2023-07-10T12:50:42","modified_gmt":"2023-07-10T12:50:42","slug":"ka-iii-urbana-7-c","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/ka-iii-urbana-7-c\/","title":{"rendered":"Ka, III (Urbana 7.c)"},"content":{"rendered":"<p><b>(Five musical poems)<br \/>\n<\/b><b>for flute, clarinet, violin, cello and electronics \u2013 circa 15 min.<\/b><\/p>\n<p><strong>Commissioned by the MIXTUR Festival for ensemble Diagonal<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The very first version of <\/span><b>Ka<\/b><span style=\"font-weight: 400;\"> was written for clarinet, horn, violin, cello, percussion and two synthesizers in real time. This new version, the third, is a transcription for flutes, clarinet, violin and cello. The percussion and the synthesizers have been reorganized in fixed electronic sequences. The four acoustic instruments are processed in real time. In the original version the five acoustic instruments were amplified, in this new version the treatments are in precise relation with a time line and are evolved all over the 5 parts of the piece, they are a kind of small orchestra in a strong relationship with the electronic part.<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">This \u201ctranslation\u201d of the original piece was realized for the ensemble <\/span><b>Diagonal <\/b><span style=\"font-weight: 400;\">and supported by the <\/span><b>Mixtur<\/b><span style=\"font-weight: 400;\"> Festival of Barcelona, where the piece premiered in April 2015.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The \u201cKa\u201d is a sort of double in the ancient Egypt culture. The \u201cKa\u201d is related to the power of creation and divinity, but also the forces of conservation that preserve the universal order.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">There are Five different \u201cmusical\u201d poems.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">There is not a narrative point of view. The rhythm and the metrical organization here are the image of grammatical approach close to poetry. The goal is to reinforce the emotion in the first level with a large palette of musical metaphors.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The number five here is very important. Five Poems. The number 5 organizes and summarizes by nature. For the Maya, it represents the god of corn, which was not without importance, and for ancient Japanese culture were five former orients: Earth, water, fire, air and space.<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">These five poems can be \u201copened\u201d using a key word:<br \/>\n<\/span><span style=\"font-weight: 400;\">The body<br \/>\n<\/span><span style=\"font-weight: 400;\">The breath<br \/>\n<\/span><span style=\"font-weight: 400;\">The battle<br \/>\n<\/span><span style=\"font-weight: 400;\">The vibration<br \/>\n<\/span><span style=\"font-weight: 400;\">The depths of contrasts<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">\u00a0Luis Naon<\/span><\/p>\n<hr \/>\n<p><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/cycle-urbana-en\/\">[ Urbana Cycle  ]<br \/>\n<\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/en\/category\/6-chamber-music\/\">[ Chambre Music\u00a0]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Five musical poems) for flute, clarinet, violin, cello and electronics \u2013 circa 15 min. Commissioned by the MIXTUR Festival for ensemble Diagonal The very first version of Ka was written for clarinet, horn, violin, cello, percussion and two synthesizers in real time. This new version, the third, is a transcription for flutes, clarinet, violin and &hellip; <a href=\"https:\/\/luisnaon.com\/en\/ka-iii-urbana-7-c\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Ka, III (Urbana 7.c)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,65,70],"tags":[],"class_list":["post-1950","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-6-chamber-music","category-all-the-compositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ka, III (Urbana 7.c) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/ka-iii-urbana-7-c\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ka, III (Urbana 7.c) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"(Five musical poems) for flute, clarinet, violin, cello and electronics \u2013 circa 15 min. 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