{"id":1962,"date":"2020-03-01T14:51:47","date_gmt":"2020-03-01T14:51:47","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1962"},"modified":"2023-07-10T15:14:05","modified_gmt":"2023-07-10T15:14:05","slug":"declives-1992-urbana-23","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/declives-1992-urbana-23\/","title":{"rendered":"D\u00e9clives (1992) (Urbana 23)"},"content":{"rendered":"

For tuba (and bass trombone), percussion and electroacoustic device.<\/b><\/p>\n

Commissioned by the Interface ensemble<\/b><\/p>\n

D\u00e9clives<\/b> premiered in June, 1992 at the Chapelle Auguste Perret, Arcueil by G\u00e9rard Buquet and Daniel Ciampollini.<\/span><\/p>\n

For G\u00e9rard Buquet and Daniel Ciampollini.<\/span><\/em><\/p>\n

Duration: circa 18 minutes.<\/span><\/i><\/p>\n

At the beginning of this work, I thought about relating two series of short pieces. The first one, a new version of a former D\u00e9clives<\/strong>, rewritten for baritone saxophone and percussion. The idea was to make it have a dialogue with Alto Voltango for vibraphone and alto saxophone.<\/span><\/p>\n

<\/p>\n

D\u00e9clives, created for G\u00e9rard Buqut and Daniel Ciampollini, was commissioned by the Interface ensemble for a Carta Blanca in June, 1992.<\/span><\/p>\n

This is the note that accompanied the programme of that creation:<\/span><\/p>\n

In these times, when each composer tries to forge their own style, I have wanted to explore them and appropriate them. I deeply believe that a system is not more than a basis to work from, where the creation has to follow its due course. From the moment when the system becomes a corset, one must get rid of it. In this piece a different notion of limit is introduced, that which exists between instrumental and electroacoustic music.<\/span><\/p>\n

Finally, and to pay tribute to the man who has guided me and continues to do so through his work, I cite his own comment when his complete works appeared in 1977\u2019s edition: \u201cFortunately, we do not have to be tied to one culture, we may aspire to all of them.\u201d I also have one of his verses to thank for the title of the piece:<\/span><\/p>\n

\u201cDeclines of the music, the most docile of time\u2019s shape\u201d<\/em>
\n(Jorge Luis Borges Mateo XXV \u2013 30)<\/span><\/p>\n

That multiplicity in the unit, which is at the centre of that poem, has been to me a recurrent obsession through these years. I think that when I talk about the multiplicity of musical discourses, the simultaneity of lines and realities what I really mean is those \u201cthings\u201d that Borges mentions.<\/span><\/p>\n

Although it is only a duo, the writing and the general texture of this piece has orchestral dimensions. The magnetic tape\u2019s universe is always very dense and soloists enter into that weave as though they were voices whose tone is slightly higher.<\/span><\/p>\n

For the final version, where several tracks are left unexplored, I only keep I \u2013 III \u2013 IV and VI from the original six.<\/span><\/p>\n

\n

D\u00e9clives<\/strong>
\nCr\u00e9\u00e9e \u00e0 la Chapelle Auguste Perret Arcueil
\nEnregistrement Publique 1992
\nDaniel Ciampolini, percussion et G\u00e9rard Buquet, tuba.<\/p>\n

\n

[ Urbana Cycle ]
\n<\/a>[ Chambre Music\u00a0]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

For tuba (and bass trombone), percussion and electroacoustic device. Commissioned by the Interface ensemble D\u00e9clives premiered in June, 1992 at the Chapelle Auguste Perret, Arcueil by G\u00e9rard Buquet and Daniel Ciampollini. For G\u00e9rard Buquet and Daniel Ciampollini. Duration: circa 18 minutes. At the beginning of this work, I thought about relating two series of short … Continue reading D\u00e9clives (1992) (Urbana 23)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60,65,70],"tags":[],"class_list":["post-1962","post","type-post","status-publish","format-standard","hentry","category-cycle-urbana-en","category-6-chamber-music","category-all-the-compositions"],"yoast_head":"\nD\u00e9clives (1992) (Urbana 23) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/declives-1992-urbana-23\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D\u00e9clives (1992) (Urbana 23) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"For tuba (and bass trombone), percussion and electroacoustic device. 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