{"id":1969,"date":"2020-03-01T15:00:50","date_gmt":"2020-03-01T15:00:50","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1969"},"modified":"2023-07-10T12:45:33","modified_gmt":"2023-07-10T12:45:33","slug":"the-psychoanalyst-cycle","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/the-psychoanalyst-cycle\/","title":{"rendered":"The Psychoanalyst Cycle"},"content":{"rendered":"<p class=\"title\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-301\" src=\"https:\/\/doublelune.com\/luisnaon\/wp-content\/uploads\/2014\/11\/cadre_agenda13.jpg\" alt=\"cadre_agenda13\" width=\"700\" height=\"240\" srcset=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda13.jpg 700w, https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda13-300x102.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/strong><\/p>\n<p><b>Radio theatre adapted from Leslie Kaplan\u2019s novel \u201cLe Psychanalyste.\u201d<\/b><\/p>\n<p><span style=\"font-weight: 400;\">With: <\/span><b>Simon Scop, Marcial Di Fonzo Bo<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Clarinet: <\/span><b>Philippe Berrod<br \/>\n<\/b><span style=\"font-weight: 400;\">The Id: <\/span><b>Agn\u00e8s Sourdillon<\/b><span style=\"font-weight: 400;\">\u00a0<br \/>\n<\/span><span style=\"font-weight: 400;\">Piano: <\/span><b>Raminta Dombrowski<br \/>\n<\/b><span style=\"font-weight: 400;\">Eva: <\/span><b>Fr\u00e9d\u00e9rique Loli\u00e9e<br \/>\n<\/b><span style=\"font-weight: 400;\">Cello: <\/span><b>Eric Picard<br \/>\n<\/b><span style=\"font-weight: 400;\">The lecturer: <\/span><b>Philippe Fretun<br \/>\n<\/b><span style=\"font-weight: 400;\">Elise Caron, horn: <\/span><b>Jo\u00ebl Jody<br \/>\n<\/b><span style=\"font-weight: 400;\">Accordion: <\/span><b>Pascal Contet<br \/>\n<\/b><span style=\"font-weight: 400;\">Percussion: <\/span><b>H\u00e9l\u00e8ne Colombatti<br \/>\n<\/b><span style=\"font-weight: 400;\">Violin: <\/span><b>Eiichi Chijiiwa<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Original music: <\/span><b>Luis Na\u00f3n<br \/>\n<\/b><span style=\"font-weight: 400;\">Director: <\/span><b>Claude Guerre\u00a0<\/b><\/p>\n<p><b><i>Le Psychanalyste<\/i><\/b><span style=\"font-weight: 400;\"> was published by <\/span><b>\u00c9ditions POL.<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The idea to adapt Leslie Kaplan\u2019s <\/span><b>Le Psychanalyste<\/b><span style=\"font-weight: 400;\"> (POL, 1999, and then Folio) in radio theatre was born after Marcial di Fonzo Bo read it at the Avignon Festival in 2004, and also because \u201cradio theatre\u2019s\u201d form \u2013 What is happening? What can happen? \u2013 can resonate with the book\u2019s central purpose: to understand the characters from the point of view of the acting subconscious, like the psychoanalyst: to make a portrait of ordinary heroes, heroes of thought. In that way a central place is given to the word and the voices, because of the therapy sessions, but also because thought is many times expressed in the form of a monologue \u2013 the narration is interrupted with short chapters, all of which have its own ending, and relaunch the narrative adding suspense to it as a whole: What is going to happen? What could possibly happen? We are, from the beginning, in a polyphony, a variety of characters and voices, the possibility of making different elements interact: the style and the manner of expression, the tone and the tonality, the pronunciation and each person\u2019s points of view. This polyphony is conceived as a way of exploring the contemporary world, each person follows only their questions but in the same world, each person connected to the rest, in a relationship with the rest; the suburbs\u2019 social reality, violence and hopelessness are not shown through the characters and their words, leaving aside the naturalist short-sightedness, by introducing a truly dramatic dimension, in relation to psychoanalysis ethics and the discovery of the subconscious. There are passages that seem to be closer to an essay or a reflection on psychoanalysis, about its history and its current state in the world, as well as the cinema, the theatre. These reflections are integrated by the characters speech which, contrarily to a closed-minded knowledge, allows us to think \u201cwith\u201d Kafka, Freud, Arendt and others, in a dialogue with the characters. The process of staging by Claude Guerre, the original music by Luis Na\u00f3n, the drama game of the actors, all this constitutes a real fresco of \u201calive life\u201d. Sim\u00f3s is an analyst. He is penetrating, full of humor and open to chance. WIth him, in his office, the analysed patients, their tragic and funny\u00a0 stories, their questions, what happens during and out of sessions. On the other end, Eva, a woman, tries to think about the world and about life through the reading and rereading of Kafka. In both cases it is all about thinking. All the characters from this book are heroes who face the conflict between the desire for the truth and their passion for ignorance: they are heroes because of their thoughts, they are thoughts heroes. And at the same time they are common people like us. If we think we are alive, we change, we can change. Then, naturally, a lot of things happen: the narration is continuous development, just like identity it is never given because it is in every detail that meaning appears, and this meaning is linked to every detail. This is way the last word belongs to the world, this endless collection of details and possibles.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Radio theatre adapted from Leslie Kaplan\u2019s novel \u201cLe Psychanalyste.\u201d With: Simon Scop, Marcial Di Fonzo Bo Clarinet: Philippe Berrod The Id: Agn\u00e8s Sourdillon\u00a0 Piano: Raminta Dombrowski Eva: Fr\u00e9d\u00e9rique Loli\u00e9e Cello: Eric Picard The lecturer: Philippe Fretun Elise Caron, horn: Jo\u00ebl Jody Accordion: Pascal Contet Percussion: H\u00e9l\u00e8ne Colombatti Violin: Eiichi Chijiiwa Original music: Luis Na\u00f3n Director: &hellip; <a href=\"https:\/\/luisnaon.com\/en\/the-psychoanalyst-cycle\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Psychoanalyst Cycle<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[62,66,70],"tags":[],"class_list":["post-1969","post","type-post","status-publish","format-standard","hentry","category-3-cycle-the-psychoanalyst","category-7-opera-theatre-music","category-all-the-compositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Psychoanalyst Cycle - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/the-psychoanalyst-cycle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Psychoanalyst Cycle - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Radio theatre adapted from Leslie Kaplan\u2019s novel \u201cLe Psychanalyste.\u201d With: Simon Scop, Marcial Di Fonzo Bo Clarinet: Philippe Berrod The Id: Agn\u00e8s Sourdillon\u00a0 Piano: Raminta Dombrowski Eva: Fr\u00e9d\u00e9rique Loli\u00e9e Cello: Eric Picard The lecturer: Philippe Fretun Elise Caron, horn: Jo\u00ebl Jody Accordion: Pascal Contet Percussion: H\u00e9l\u00e8ne Colombatti Violin: Eiichi Chijiiwa Original music: Luis Na\u00f3n Director: &hellip; Continue reading The Psychoanalyst Cycle &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luisnaon.com\/en\/the-psychoanalyst-cycle\/\" \/>\n<meta property=\"og:site_name\" content=\"Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-01T15:00:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T12:45:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/doublelune.com\/luisnaon\/wp-content\/uploads\/2014\/11\/cadre_agenda13.jpg\" \/>\n<meta name=\"author\" content=\"admin4luis\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin4luis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/the-psychoanalyst-cycle\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/the-psychoanalyst-cycle\\\/\"},\"author\":{\"name\":\"admin4luis\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#\\\/schema\\\/person\\\/3972d8c1fd95485284e1cba0cba78f0f\"},\"headline\":\"The Psychoanalyst Cycle\",\"datePublished\":\"2020-03-01T15:00:50+00:00\",\"dateModified\":\"2023-07-10T12:45:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/the-psychoanalyst-cycle\\\/\"},\"wordCount\":604,\"image\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/en\\\/the-psychoanalyst-cycle\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/doublelune.com\\\/luisnaon\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/cadre_agenda13.jpg\",\"articleSection\":[\"3. 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