{"id":1996,"date":"2020-03-01T15:55:21","date_gmt":"2020-03-01T15:55:21","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1996"},"modified":"2023-07-10T13:14:46","modified_gmt":"2023-07-10T13:14:46","slug":"gelmanianas-2012","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/en\/gelmanianas-2012\/","title":{"rendered":"Gelmanianas (2012)"},"content":{"rendered":"\r\n<p><strong>9 pieces for cello<\/strong><\/p>\r\n<p><em><span style=\"font-weight: 400;\">Premiered in Maison de la Po\u00e9sie of Paris on 15th January 2012, with an accompaniment of a reading by Juan Gelman.<\/span><\/em><\/p>\r\n<p><strong>Cello: Eric Picard.<\/strong><\/p>\r\n\r\n\r\n<p><!--more--><\/p>\r\n<hr \/>\r\n<div id=\"audioigniter-1340\" class=\"audioigniter-root \" data-player-type=\"simple\" data-tracks-url=\"https:\/\/luisnaon.com\/en\/?audioigniter_playlist_id=1340\" data-display-track-no=\"true\" data-reverse-track-order=\"false\" data-display-tracklist-covers=\"false\" data-display-active-cover=\"false\" data-display-artist-names=\"false\" data-display-buy-buttons=\"false\" data-buy-buttons-target=\"false\" data-cycle-tracks=\"false\" data-display-credits=\"false\" data-display-tracklist=\"true\" data-allow-tracklist-toggle=\"true\" data-allow-tracklist-loop=\"false\" data-limit-tracklist-height=\"true\" data-volume=\"100\" data-tracklist-height=\"185\" ><\/div>\r\n<hr \/>\r\n\r\n<p><em>no stan muridus lus p\u00e1xarus<a href=\"#_ftn1\"><strong>[1]<\/strong><\/a><\/em><\/p>\r\n\r\n\r\n<p><em>\u00bfqu\u00e9 es este ruido en la cabeza?\/\u00bfvos?\/<\/em><a href=\"#_ftn2\"><em><strong>[2]<\/strong><\/em><\/a><\/p>\r\n\r\n\r\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Since the seventies I have been hearing Juan Gelmnan\u2019s poetry. In the beginning I did so clandestinely -Juan was banned during Argentina\u2019s dictatorship.<\/span><\/p>\r\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Secretly, I slowly weaved a kind of music that has several points in common with this poetry: exigency, the daily nature of artistic practice, the thoughtful wait for the arrival, from the deep, of a true singing that is immediately unnecessary but indispensable to keep living.<\/span><\/p>\r\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">I was incredibly lucky that my secret writing of sound cohabitated with Juan reading his poetry in a presentation on January 2012 in Paris. For that opportunity I wrote nine short fragments (like short poems I would say) for solo cello, which were alternated with his reading. That music was called \u201cGelmanianas\u201d which is a sort of musical homage and rereading of Gelman\u2019s poetry in which there are subtle alterations of the words and his pose when reading. Everytime I read Juan\u2019s poetry I heard his voice, to myself, as if he were reading his poems to me. This prose is the one that has dictated most of this composition which could resemble, in a way, to a translation. <\/span><\/p>\r\n\r\n\r\n<p>Luis Na\u00f3n<\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator\" \/>\r\n\r\n<p><a href=\"#_ftnref1\">[1]<\/a>Juan Gelman \u2013De DIBAXU \u2013 (XXIX) Poesia Reunida \u2013 Seix Barral &#8211; Pag 840<\/p>\r\n\r\n\r\n<p><a href=\"#_ftnref2\">[2]<\/a>Juan Gelman &#8211; De Citas (CITA XI) Poesia Reunida \u2013 Seix Barral -Pag 498<\/p>\r\n\r\n<hr \/>\r\n<p><a href=\"https:\/\/luisnaon.com\/en\/category\/5-solo-instrument-with-or-without-electronics\/\">[ Solo instrument \/ with or without electronics ]<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>9 pieces for cello Premiered in Maison de la Po\u00e9sie of Paris on 15th January 2012, with an accompaniment of a reading by Juan Gelman. Cello: Eric Picard.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[64,70],"tags":[],"class_list":["post-1996","post","type-post","status-publish","format-standard","hentry","category-5-solo-instrument-with-or-without-electronics","category-all-the-compositions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gelmanianas (2012) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/en\/gelmanianas-2012\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gelmanianas (2012) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"9 pieces for cello Premiered in Maison de la Po\u00e9sie of Paris on 15th January 2012, with an accompaniment of a reading by Juan Gelman. 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