{"id":1455,"date":"2009-09-08T13:17:52","date_gmt":"2009-09-08T13:17:52","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1455"},"modified":"2025-02-17T11:48:55","modified_gmt":"2025-02-17T11:48:55","slug":"6-caprices-2008-09-urbana-11","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/6-caprices-2008-09-urbana-11\/","title":{"rendered":"6 Caprices (2008-09) (Urbana 11)"},"content":{"rendered":"

Para un instrumento y electr\u00f3nica.<\/strong><\/p>\n

Caprices 1 & 2 para viol\u00edn y electr\u00f3nica en tiempo real.
\nCaprices 3 & 4 para clarinete bajo y electr\u00f3nica en tiempo real.
\nCaprices 5 & 6 para percusi\u00f3n y electr\u00f3nica en tiempo real.<\/p>\n

<\/p>\n

Capricho: <\/em>sustantivo (m)\u00a0\u00a0<\/strong>\u00a0prop\u00f3sito carente de raz\u00f3n.\u00a0<\/p>\n

La idea de los caprichos naci\u00f3 de una proposici\u00f3n de la profundizaci\u00f3n e investigaci\u00f3n sobre la s\u00edntesis por modelos f\u00edsicos relacionadas con un instrumento. En un principio esta idea estaba cerca de la realizaci\u00f3n de un cuaderno de bosquejos. El car\u00e1cter virtuoso et la naturaleza fantasiosa, los cambios frecuente et imprevisibles en el trabajo de preparaci\u00f3n encaminaron la obra hacia esta denominaci\u00f3n m\u00e1s adecuada a los hechos : \u201ccaprichos\u201d.<\/p>\n

Estos Caprichos son doblemente virtuos\u00edsticos. Proponen al instrumentista una pieza r\u00e1pida, de bravura (los caprichos impares) y, por oposici\u00f3n, una pieza lenta, menos virtuosa y centrada en la volubilidad y el timbre.<\/p>\n

De una duraci\u00f3n entre cuatro y cinco minutos cada uno, estas piezas demostrativas ciernen, cada una a su manera, un aspecto espec\u00edfico del instrumento ac\u00fastico y de la inform\u00e1tica que les est\u00e1 asociada. La situaci\u00f3n musical es, sin embargo, de \u00edndole concertante : el solista visible est\u00e1 rodeado y secundado (o contradicho) por un gran n\u00famero de instrumentos virtuales.<\/p>\n

La composici\u00f3n y la investigaci\u00f3n necesitaron cerca de un a\u00f1o y medio de cercana colaboraci\u00f3n con los programadores del Ircam y con Manuel Poletti (RIM Realizador de la Inform\u00e1tica Musical) de un inestimable aporte en el dise\u00f1o de los \u00fatiles espec\u00edficos de la inform\u00e1tica de la obra.<\/p>\n

Estas 6 piezas constituyen un trio de \u201cD\u00edpticos\u201d, dedicados cada uno a los instrumentistas para qui\u00e9nes han sido escritas : Laurent Korcia, Alain Billard et Florent Jodelet.<\/em><\/strong><\/p>\n

Una vez m\u00e1s, esta mini red, es una pieza del rompecabezas del ciclo Urbana. En esta \u201cred\u201d general, la suma de las partes no es igual a la totalidad. El recorrido necesario para llegar a la obra, a su devenir, es mucho mas vasto que la obra misma.<\/p>\n

Los \u201c6 Caprichos\u201d obedecen tambi\u00e9n, en escala reducida, a esta proposici\u00f3n.<\/p>\n

\n

Caprice 1
\n<\/strong><\/p>\n

Caprice 2<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/caprice\/capric_2.mp3<\/a><\/audio>\n

\n

Caprices 1 et 2<\/strong>
\nLaurent Korcia , violon.<\/em>
\nCr\u00e9ation juin 2007<\/em><\/p>\n<\/div>\n

Caprice 3
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/caprice\/capric_3.mp3<\/a><\/audio>\n

Caprice 4
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/caprice\/capric_4.mp3<\/a><\/audio>\n

Caprices 3 et 4
\n<\/strong>Alain Billard, clarinette basse<\/em>.
\nCr\u00e9ation juin 2007<\/em><\/p>\n<\/div>\n

Caprice 5
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/caprice\/capric_5.mp3<\/a><\/audio>\n

Caprice 6<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/caprice\/capric_6.mp3<\/a><\/audio>\n

\n

Caprices 5 et 6<\/strong>
\nFlorent Jodelet, percussion<\/em>.
\nCr\u00e9ation octobre 2008<\/em><\/p>\n

\n

[ Cycle Urbana ]<\/span>
\n<\/a><\/span>[ Instrument seul et\/ou bande magn\u00e9tique ou \u00e9lectronique ]<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Para un instrumento y electr\u00f3nica. Caprices 1 & 2 para viol\u00edn y electr\u00f3nica en tiempo real. Caprices 3 & 4 para clarinete bajo y electr\u00f3nica en tiempo real. Caprices 5 & 6 para percusi\u00f3n y electr\u00f3nica en tiempo real.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,41,45],"tags":[],"class_list":["post-1455","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-instrumento-solo-sonidos-grabados-o-electronica","category-todas-las-obras"],"yoast_head":"\n6 Caprices (2008-09) (Urbana 11) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/6-caprices-2008-09-urbana-11\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"6 Caprices (2008-09) (Urbana 11) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Para un instrumento y electr\u00f3nica. 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