{"id":1494,"date":"2002-09-08T14:13:00","date_gmt":"2002-09-08T14:13:00","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1494"},"modified":"2023-07-10T14:37:51","modified_gmt":"2023-07-10T14:37:51","slug":"clairiere-2002-urbana-14","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/clairiere-2002-urbana-14\/","title":{"rendered":"Clairi\u00e8re (2002) (Urbana 14)"},"content":{"rendered":"

Para clarinete y sonidos fijos en 5.1<\/strong><\/p>\n

\nDuraci\u00f3n : circa 12 min 30
\nEncargo del Estado franc\u00e9s y de<\/strong>\u00a0La Muse en Circuit<\/strong>
\na Philippe Berrod<\/em>.<\/p>\n

Estrenada en el concierto monogr\u00e1fico del 11 de junio del 2002 en el Carr\u00e9 Sylvia Monfort en el marco de la programaci\u00f3n de \u00ab\u00a0La Muse en Circuit\u00a0\u00bb \u2013 Festival Extension du domaine de la note.<\/p>\n

Clairi\u00e8re es la primera obra a haber sido concebida directamente en un dispositivo en 5.1.<\/p>\n

\n

En escucha :
\nPhilippe Berrod,<\/strong> clarinette <\/em>
\nEnregistr\u00e9 pour le CD Sainte Nitouche et ses satellites<\/strong><\/em>. Version transaural.<\/p>\n

<\/p>\n

Concebir desde el inicio una obra con estas premisas permite imaginar y \u201cescribir\u201d el espacio sonoro sabiendo que las consignas espaciales seran reproducidas de manera id\u00e9ntica.<\/p>\n

La experiencia de grabaci\u00f3n y mezcla de Diabolus Urbanus<\/strong> gui\u00f3 la configuraci\u00f3n del espacio de ejecuci\u00f3n real del espacio en Clairi\u00e8re<\/strong>. Esta obra adopta una amplificaci\u00f3n con cuatro micr\u00f3fonos para el clarinetista que ejerce, de esta forma, una espacializaci\u00f3n del sonido sin recurrir a ning\u00fan sistema de tratamiento en tiempo real.<\/p>\n

Muchos compositores han abordado la cuesti\u00f3n del espacio ac\u00fastico en sus obras. Citemos el motete \u201cSpen in alium\u201d a cuarenta voces reales de Thomas Tallis, en el que los cantantes est\u00e1n ubicados en c\u00edrculo alrededor de la reina Elizabeth para su primer cumplea\u00f1os, o bien el espacio de doble coro impuesto por San Marco de Venecia en el caso de Giovanni Gabrielli.<\/p>\n

Podemos tambi\u00e9n repensar la cuesti\u00f3n din\u00e1mica que aparece durante el clasicismo como un movimiento de espacio del sonido : un crescendo es un acercamiento del sonido, un diminuendo su alejamiento, convirtiendo el espacio en un componente ligado a la abstracci\u00f3n musical.<\/p>\n

Desde hace varios a\u00f1os el pensamiento espacial del sonido se generaliza y se intensifica. Podemos suponer que el desarrollo t\u00e9cnico tender\u00e1 a apropiarse este componente cada vez m\u00e1s importante en la m\u00fasica actual, convirti\u00e9ndolo, por ende, en una premisa para la composici\u00f3n.<\/p>\n

La idea de Clairi\u00e8re, <\/strong>en estrecha relaci\u00f3n con el ciclo Urbana, es de establecer una zona de juego completamente extranjera al universo urbano. Es precisamente, como lo indica el t\u00edtulo, un claro en el bosque urbano, un espacio inesperado en el cual la \u00fanica regla est\u00e1 dada por el instrumento y su entorno.<\/p>\n

\n

Editado en Babelscores.<\/p>\n

<\/p>\n\n\n <\/map><\/p>\n","protected":false},"excerpt":{"rendered":"

Para clarinete y sonidos fijos en 5.1 Duraci\u00f3n : circa 12 min 30 Encargo del Estado franc\u00e9s y de\u00a0La Muse en Circuit a Philippe Berrod. Estrenada en el concierto monogr\u00e1fico del 11 de junio del 2002 en el Carr\u00e9 Sylvia Monfort en el marco de la programaci\u00f3n de \u00ab\u00a0La Muse en Circuit\u00a0\u00bb \u2013 Festival Extension … Seguir leyendo Clairi\u00e8re (2002) (Urbana 14)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,41,45],"tags":[],"class_list":["post-1494","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-instrumento-solo-sonidos-grabados-o-electronica","category-todas-las-obras"],"yoast_head":"\nClairi\u00e8re (2002) (Urbana 14) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/clairiere-2002-urbana-14\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clairi\u00e8re (2002) (Urbana 14) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Para clarinete y sonidos fijos en 5.1 Duraci\u00f3n : circa 12 min 30 Encargo del Estado franc\u00e9s y de\u00a0La Muse en Circuit a Philippe Berrod. 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