{"id":1497,"date":"2002-09-08T14:17:51","date_gmt":"2002-09-08T14:17:51","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1497"},"modified":"2023-07-10T14:40:05","modified_gmt":"2023-07-10T14:40:05","slug":"sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\/","title":{"rendered":"Sainte Nitouche (la fille ni bien ni mal) (2002) (Urbana 22)"},"content":{"rendered":"<p><strong>\u00a0Santa Nitoca (la chica ni bien ni mal)<\/strong><\/p>\n<p><strong>para mezzo-soprano , clarinete, saxo, viola, bandone\u00f3n, contrabajo, piano, percusi\u00f3n y voces (en vivo o grabadas)<\/strong><\/p>\n<p>sobre textos de Yves Pag\u00e8s<\/p>\n<p><strong><em>Encargo de Musique Nouvelle en Libert\u00e9<br \/>\ncopyright G\u00e9rard Billaudot Editeur (2002)<br \/>\n<\/em><\/strong><\/p>\n<p class=\"jetpack-slideshow-noscript robots-nocontent\">El pase de diapositivas requiere JavaScript.<\/p><div id=\"gallery-1497-1-slideshow\" class=\"jetpack-slideshow-window jetpack-slideshow jetpack-slideshow-black\" data-trans=\"fade\" data-autostart=\"1\" data-gallery=\"[{&quot;src&quot;:&quot;https:\\\/\\\/luisnaon.com\\\/wp-content\\\/uploads\\\/2014\\\/11\\\/S\\u00e9quence-03.Image-fixe001.jpg&quot;,&quot;id&quot;:&quot;1501&quot;,&quot;title&quot;:&quot;S\\u00e9quence 03.Image fixe001&quot;,&quot;alt&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;itemprop&quot;:&quot;image&quot;}]\" itemscope itemtype=\"https:\/\/schema.org\/ImageGallery\"><\/div>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\"><strong>\u00a0<\/strong><em>\u00ab Bajo el caluroso impulso de Luis Na\u00f3n, este texto, en forma de libreto, es el fruto de un dispositivo parad\u00f3jico desde el principio. El desaf\u00edo consist\u00eda en volver a darle la palabra a un personaje femenino que, ordinariamente, est\u00e1 enclaustrado en un mutismo total : la\u00a0 hero\u00edna es una trabajadora de Peepshow. El seud\u00f3nimo de la chica (Fingida o Finta Nitoca) traiciona los \u00ab gajes \u00bb de su oficio : ofrecer el espect\u00e1culo de un cuerpo a las miradas emboscadas detr\u00e1s de los espejos ciegos sin tinte. A esta imagen desrealizada, abstracta porque cortada de todos los otros sentidos (el tacto, el olfato y sobre todo el o\u00eddo) hemos tratado de agregarle una suerte de fluido de conciencia en voz alta.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Este canto \u00edntimo que, liber\u00e1ndose, pasa del otro lado del espejo de la mujer-objeto, conlleva varias ambivalencias : es a la vez atracci\u00f3n y repulsi\u00f3n, llamada y rechazo, furor y voluptuosidad. Este canto esta tambi\u00e9n inervado por la crisis de identidad sexual de nuestra \u00e9poca. Est\u00e1, finalmente habitado por los &#8220;ritornellos&#8221; contempor\u00e1neos del seudo erotismo mercantil ; los anuncios rosas, los tel\u00e9fonos er\u00f3ticos, etc.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Como si una inmensa mensajer\u00eda vocal tratase de encerrarnos, de maquinizarnos estereotipar las \u00abmedias tintas \u00bb, los contrapuntos del deseo que \u00ab Nitoca \u00bb nos habr\u00eda hecho rozar con el punta de su voz. \u00bb<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00a0<\/em><em>Yves Pag\u00e8s.<\/em><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/xu1Y5ZBwGQc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=es-ES&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p style=\"text-align: justify;\">La organizaci\u00f3n musical sigue la l\u00f3gica que proviene del texto. Autor y compositor, de com\u00fan acuerdo proponen la alternancia responsorial entre la voz hablada y las situaciones musicales. Por su car\u00e1cter es asimilable a un libreto de \u00f3pera.<\/p>\n<p style=\"text-align: justify;\">El texto hablado, pregrabado, y casi radiof\u00f3nico tiene una funci\u00f3n formal, explicativa como lo ser\u00eda un recitativo, el personaje que lo asume es Miss Didascalia.<\/p>\n<p style=\"text-align: justify;\">La imbricaci\u00f3n de los textos de Miss Didascalia y los anuncios er\u00f3ticos (tambi\u00e9n en off) con lo musical, arias y lamentos, ponen el acento en el hiato entre la representaci\u00f3n de este peep-show imaginario en el que se convierte la escena de la obra.<\/p>\n<p style=\"text-align: justify;\">La acci\u00f3n en la \u00f3pera est\u00e1 ligada a la historia que se cuenta, ese hilo tenue sobre el cu\u00e1l la m\u00fasica se expresa.<\/p>\n<p style=\"text-align: justify;\">Aqu\u00ed, en <strong>Santa Nitoca<\/strong>, la demarcaci\u00f3n no existe, todo est\u00e1 concentrado en un personaje \u00fanico, con su riqueza y ambivalencias, que tiene el h\u00e1bito de expresarse con el cuerpo y no con la voz.<\/p>\n<p style=\"text-align: justify;\">Esta situaci\u00f3n genera momentos esc\u00e9nicos en el limite entre teatro y m\u00fasica, con una fuerte concentraci\u00f3n en lo propiamente sonoro.<\/p>\n<p style=\"text-align: justify;\">A medio camino entre un ciclo de canciones y un mon\u00f3logo cantado el desarrollo de la obra presenta una serie de situaciones dram\u00e1ticas con aroma de \u00f3pera de c\u00e1mara.<\/p>\n<hr \/>\n<p><strong>Introduction et Complainte 1 <\/strong><em>(int\u00e9rieur)<\/em><br \/>\ninstrumentale et \u00e9lectronique &#8211; Elle place le contexte musical et la texture sur laquelle \u00e9voluera notre h\u00e9ro\u00efne.<\/p>\n<p>Puis\u00a0:<br \/>\nAutour d&#8217;une voix , mobile et pouvant \u00e9voluer sur la sc\u00e8ne<br \/>\nQuatre points fixes (chef &#8211; piano &#8211; percussion et bandon\u00e9on)<br \/>\nQuatre points mobiles (clarinette, saxophone; alto et contrebasse)<br \/>\nQuatre points absents ( les haut parleurs ).<\/p>\n<p><strong>Peep show 1<\/strong> <em>(ext\u00e9rieur)<\/em><br \/>\nsur un fond de blues<br \/>\nUn trio soufflant et l&#8217;alter ego de la voix (l&#8217;alto)<br \/>\nSur fond des trois harmonie temp\u00e9r\u00e9es.<\/p>\n<p><strong>Petites annonces 1<\/strong> <em>(apart\u00e9 &#8211; quasi r\u00e9citatif puis a capella)<\/em><br \/>\nLa voix de Nitouche r\u00e9cite (plainte du tango renouvel\u00e9, Polaco Goyeneche et Piazzolla ultima curda, sommet de musique populaire et musique de chambre) accompagn\u00e9e par des \u00e9chos lointains des enceintes m\u00e2les.<br \/>\nNitouche ferme le bal a Capella.<\/p>\n<p><strong>Peep show 2<\/strong> &#8211; <em>(aria)<\/em><br \/>\nPercussion-Piano-orchestr\u00e9s par les vents sur une litanie de corde solitaire bandon\u00e9on accompagnateur et voix chantante.<br \/>\nIci le blues fait place au rythme et rapidement le madrigal pointe \u00e0 mi-teinte.<\/p>\n<p><strong>Petites annonces 2<\/strong> <em>(o\u00f9 l&#8217;on d\u00e9couvre la nature philologique de Nitouche)<\/em><br \/>\nNitouche se l\u00e2che, collectionne les annonces en langue \u00e9tang\u00e8re &#8220;Heilgymnast&#8221;, &#8220;Signore maturo et pulito&#8221; &#8220;Malado\u00ef mushina vatchkah&#8221;<br \/>\nSurimpression harmonique d&#8217;un quatuor non temp\u00e9r\u00e9 sur un trio bien temp\u00e9r\u00e9.<\/p>\n<p><strong>Complainte 2<\/strong> <em>(triste-int\u00e9rieur)<\/em><br \/>\nVals &#8211; Tango &#8211; vocalit\u00e9 triste Seize ans de trop.<br \/>\n(Vibra saxophone piano) d&#8217;une part<br \/>\n(Saxophone bandon\u00e9on) c\u00e9l\u00e8bre Mulligan Piazzola.<br \/>\n<strong>\u00a0\u00a0 \u00a0<\/strong><br \/>\n<strong>Complainte 3<\/strong> <em>(expansive puis grave)<\/em><br \/>\nLa parole est aux soufflants<br \/>\nLa voix s&#8217;imprime sur le souffle du trio clarinette, saxe et bandon\u00e9on, entrecoup\u00e9e et incit\u00e9e par un rythme d\u00e9compos\u00e9, qui d\u00e9bo\u00eete. Le triste revient, et pour finir avec le monodrame sur un fond de R\u00e9pondeur \u00e9rotique : le mirage \u00e9lectroacoustique, l&#8217;espace se met \u00e0 parler; Une communication transversale et t\u00e9l\u00e9phonique appara\u00eet qui nous \u00e9chappe \u00e0 tous.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Sainte Nitouche I<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_1.mp3?_=1\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_1.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_1.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche II<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_2.mp3?_=2\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_2.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_2.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche III<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_3.mp3?_=3\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_3.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_3.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche IV<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_4.mp3?_=4\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_4.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_4.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche V<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_5.mp3?_=5\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_5.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_5.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche VI<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3?_=6\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche VII<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3?_=7\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_6.mp3<\/a><\/audio>\n<p><strong>Sainte Nitouche VIII<br \/>\n<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1497-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_8.mp3?_=8\" \/><a href=\"https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_8.mp3\">https:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/nitouche\/nit_8.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<div>\n<hr \/>\n<p><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.luisnaon.com\/wp-content\/uploads\/pdf\/nitouche\/livret.pdf\">Sainte Nitouche. Livret &#8211; .pdf<\/a><\/span><\/p>\n<hr \/>\n<div align=\"center\"><a href=\"http:\/\/www.resmusica.com\/2012\/08\/05\/la-feinte-nitouche-de-luis-naon\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.luis-naon.com\/naon\/public\/presse\/resmusica.jpg\" alt=\"\" width=\"200\" height=\"223\" border=\"0\" \/><br \/>\nLire l&#8217;article<\/a><\/div>\n<hr \/>\n<p><strong>CD Sainte Nitouche &amp; Satellites<\/strong><\/p>\n<\/div>\n<p><strong><a href=\"https:\/\/www.luis-naon.com\/naon\/index.php?post\/2010\/01\/05\/Sainte-Nitouche-%28la-fille-ni-bien-ni-mal%29-%282002%29\" hreflang=\"fr\"><img decoding=\"async\" src=\"http:\/\/www.luis-naon.com\/naon\/public\/disc\/.snt_cd_t.jpg\" alt=\"\" \/><\/a><\/strong><\/p>\n<p><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.clicmusique.com\/naon-sainte-nitouche-sourdillon-vadimova-schereiner-p-9883.html\"><span class=\"dates\">&gt;&gt; COMMANDER LE DISQUE<\/span><\/a>\u00a0 <\/span><br \/>\n<span style=\"color: #800000;\"><a class=\"dates\" style=\"color: #800000;\" href=\"http:\/\/www.qobuz.com\/album\/luis-naon-sainte-nitouche-la-fille-ni-bien-ni-mal\/3770002264034\">&gt;&gt; T\u00c9L\u00c9CHARGER LE DISQUE<\/a><\/span><\/p>\n<div class=\"alternate\"><strong><span class=\"alternate big\"><strong><span class=\"alternate\">Sainte Nitouche<\/span><\/strong><\/span><\/strong><strong><span class=\"alternate big\"><strong><span class=\"alternate\"> Laurent Compignie \u2013 Studio Malambo<\/span><\/strong><br \/>\nLuis Na\u00f3n<\/span><\/strong>, <em>musique<\/em><strong><br \/>\nYves Pag\u00e8s<\/strong>, <em>texte<\/em><strong><br \/>\nAgn\u00e8s Sourdillon<\/strong>, <em>r\u00e9citante<\/em><span class=\"alternate big\"><strong><br \/>\nSylvia Vadimova<\/strong>, <em>mezzo-soprano<\/em><\/span><\/div>\n<div class=\"alternate\"><strong><span class=\"alternate big\"><br \/>\nEnsemble Diagonal<\/span><br \/>\nR\u00e9mi Delangle<\/strong>, <em>clarinette<\/em><strong><br \/>\nG\u00e9raud \u00c9trillard<\/strong>, <em>saxophone<\/em><strong><br \/>\nCyprien Busolini<\/strong>, <em>alto<\/em><strong><br \/>\nSimon Drappier<\/strong>, <em>contrebasse<\/em><strong><br \/>\nMarisa Mercad\u00e9<\/strong>, <em>bandon\u00e9on<\/em><strong><br \/>\nJean Fessard<\/strong>, <em>percussion<\/em><strong><br \/>\nJean-Marie Cottet<\/strong>, <em>piano<\/em><span class=\"alternate big\"><strong><br \/>\nRut Schereiner<\/strong>, <em>direction<\/em><br \/>\n<\/span><br \/>\n<strong><span class=\"alternate\">&amp; Satellites<\/span><\/strong><span class=\"alternate\"><br \/>\nPrises de son :<strong> Laurent Codoul, Camille Lezer \u2013 La Muse en Circuit<\/strong><br \/>\nVersion transaurale des parties \u00e9lectroniques : <strong>Jean-Marc Lyswa \u2013 Conservatoire national sup\u00e9rieur de musique et de danse de Paris \u2013 Service audiovisuel<\/strong><br \/>\nMixage et Mastering : <\/span><strong><span class=\"alternate\">Laurent Codoul<br \/>\n<\/span><\/strong><span class=\"alternate big\"><span class=\"alternate big\"><br \/>\n<strong> Senderos\u2026 que bifurcan<\/strong>, pour saxophone et sons fix\u00e9s (2002 \u2013 2003)<\/span><\/span><strong> Diabolus urbanus<\/strong>, pour alto et sons fix\u00e9s (2000)<\/div>\n<p><strong> Clairi\u00e8re<\/strong>, pour clarinette et sons fix\u00e9s (2002)<\/p>\n<p><strong><span class=\"alternate big\">G\u00e9raud \u00c9trillard<\/span><\/strong><span class=\"alternate big\">, <em>saxophone<\/em><br \/>\n<strong>Cyprien Busolini<\/strong>, <em>alto<\/em><br \/>\n<strong> Philippe Berrod<\/strong>, <em>clarinette<\/em><\/span><\/p>\n<hr \/>\n<div class=\"hr\"><strong><span class=\"alternate\">Sainte Nitouche (la fille ni bien, ni mal)<\/span><\/strong>, commande de Musique Nouvelle en Libert\u00e9.<\/div>\n<p><span class=\"alternate\"><strong>Senderos\u2026 que bifurcan<\/strong>, commande de la soci\u00e9t\u00e9 Selmer. D\u00e9di\u00e9 \u00e0 Claude Delangle.<br \/>\n<strong>Diabolus Urbanus<\/strong>, commande de l\u2019\u00e9tat et de l\u2019INA-GRM. D\u00e9di\u00e9 \u00e0 Ana Bela Chaves.<br \/>\n<strong>Clairi\u00e8re<\/strong>, commande de La Muse en Circuit, Centre national de cr\u00e9ation musicale, avec le soutien<br \/>\nde l\u2019\u00e9tat. D\u00e9di\u00e9 \u00e0 Philippe Berrod. de l\u2019Etat. D\u00e9di\u00e9 \u00e0 Philippe Berrod.<br \/>\nCes trois pi\u00e8ces &#8220;satellites&#8221; restituent un espace \u00e9largi (dit transaural) qui propose une image spatiale proche de l\u2019original<br \/>\nen cinq canaux lorsque l\u2019auditeur se place dans l\u2019axe situ\u00e9 entre les deux hauts-parleurs.<\/span><\/p>\n<p><strong><span class=\"alternate\">Sainte Nitouche (la flle ni bien, ni mal)<br \/>\n<\/span><\/strong><span class=\"alternate\"><em> \u00a9 2002 by G\u00c9RARD BILLAUDOT \u00c9DITEUR<\/em><br \/>\n<strong>Senderos\u2026 que bifurcan URBANA 19<br \/>\n<\/strong> <em>\u00a9 2006 by G\u00c9RARD BILLAUDOT \u00c9DITEUR<\/em><\/span><\/p>\n<p><em><strong><span class=\"alternate\">Distribution<\/span><\/strong><\/em><span class=\"alternate\"><em> Distrart Musique<\/em><br \/>\n<\/span><\/p>\n<hr \/>\n<p>A \u00e9couter ou podcaster jusqu&#8221;au 18 mars 2013<\/p>\n<p><strong>FRANCE MUSIQUE &#8211; TAPAGE NOCTURNE<\/strong><\/p>\n<p><strong><a href=\"http:\/\/sites.radiofrance.fr\/francemusique\/em\/tapage\/emission.php?e_id=18&amp;d_id=515006190&amp;arch=1\"><img decoding=\"async\" src=\"https:\/\/www.luis-naon.com\/naon\/public\/presse\/tapage.jpg\" alt=\"\" \/><\/a><br \/>\n<\/strong><\/p>\n<hr \/>\n<p><strong>La vid\u00e9o de Sainte Nitouche : \u00e0 regarder<\/strong><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/xu1Y5ZBwGQc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=es-ES&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/luisnaon\/?cat_ID=11\">[ Cycle Urbana ]<br \/>\n<\/a><a style=\"color: #800000;\" href=\"https:\/\/luisnaon.com\/es\/category\/musica-de-camara\/\">[ Musique de Chambre\u00a0]<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Santa Nitoca (la chica ni bien ni mal) para mezzo-soprano , clarinete, saxo, viola, bandone\u00f3n, contrabajo, piano, percusi\u00f3n y voces (en vivo o grabadas) sobre textos de Yves Pag\u00e8s Encargo de Musique Nouvelle en Libert\u00e9 copyright G\u00e9rard Billaudot Editeur (2002) &nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,39,45],"tags":[],"class_list":["post-1497","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-musica-de-camara","category-todas-las-obras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sainte Nitouche (la fille ni bien ni mal) (2002) (Urbana 22) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sainte Nitouche (la fille ni bien ni mal) (2002) (Urbana 22) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"\u00a0Santa Nitoca (la chica ni bien ni mal) para mezzo-soprano , clarinete, saxo, viola, bandone\u00f3n, contrabajo, piano, percusi\u00f3n y voces (en vivo o grabadas) sobre textos de Yves Pag\u00e8s Encargo de Musique Nouvelle en Libert\u00e9 copyright G\u00e9rard Billaudot Editeur (2002) &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luisnaon.com\/es\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\/\" \/>\n<meta property=\"og:site_name\" content=\"Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"article:published_time\" content=\"2002-09-08T14:17:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T14:40:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.luis-naon.com\/naon\/public\/presse\/resmusica.jpg\" \/>\n<meta name=\"author\" content=\"admin4luis\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin4luis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/es\\\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/es\\\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\\\/\"},\"author\":{\"name\":\"admin4luis\",\"@id\":\"https:\\\/\\\/luisnaon.com\\\/#\\\/schema\\\/person\\\/3972d8c1fd95485284e1cba0cba78f0f\"},\"headline\":\"Sainte Nitouche (la fille ni bien ni mal) (2002) (Urbana 22)\",\"datePublished\":\"2002-09-08T14:17:51+00:00\",\"dateModified\":\"2023-07-10T14:40:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/es\\\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\\\/\"},\"wordCount\":1306,\"image\":{\"@id\":\"https:\\\/\\\/luisnaon.com\\\/es\\\/sainte-nitouche-la-fille-ni-bien-ni-mal-2002-urbana-22\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.luis-naon.com\\\/naon\\\/public\\\/presse\\\/resmusica.jpg\",\"articleSection\":[\"1. 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