{"id":1511,"date":"2001-09-08T14:30:40","date_gmt":"2001-09-08T14:30:40","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1511"},"modified":"2023-07-10T14:49:51","modified_gmt":"2023-07-10T14:49:51","slug":"alto-voltango-2001-urbana-23","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/alto-voltango-2001-urbana-23\/","title":{"rendered":"Alto Voltango (2001) (Urbana 23)"},"content":{"rendered":"

Para saxof\u00f3n alto y vibr\u00e1fono.<\/strong><\/p>\n

Encargo de la Soci\u00e9t\u00e9 Selmer y del\u00a0 XIV Curso Internacional de M\u00fasica de Benidorm.<\/strong>
\nEditions Lemoine<\/em><\/p>\n

La obra es una suerte de serie de interludios libres. Compuesta para vibr\u00e1fono y saxof\u00f3n alto solos \u201cAlto Voltango\u00a0\u00bb puede ser mirada como una obra dentro de otras. Su descontextualizaci\u00f3n es perfectamente posible. Compuesta en cinco movimientos, con subt\u00edtulos evocadores, la obra trata de la corriente de alto voltaje. Esta corriente, que atraviesa los instrumentistas (es de alguna forma una pieza electroac\u00fastica!) es revelada por una precisi\u00f3n de ejecuci\u00f3n de gran dificultad individual y vertical. Tiene un perfume de tango, un tango que ha sido atravesado tambi\u00e9n por fuertes voltajes.<\/p>\n

<\/p>\n

Los movimientos :<\/p>\n

I – \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alto Voltango \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1’30” \u00a0a Claude Delangle et Jean Geoffroy,<\/em><\/p>\n

II-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Parque Lezama\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2’15” a Buenos Aires,<\/em><\/p>\n

III-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Plaza Moreno\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1’30” a Yiyo Cantoni,<\/em><\/p>\n

IV-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Parque G\u00fcel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2’15” a l’esprit de Gaud\u00ed<\/em><\/p>\n

V-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Volta altango\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1’30” a “los perros y a la luna”.<\/em><\/p>\n

La precisi\u00f3n de las duraciones (un poco ut\u00f3pica en ciertos casos) fue un pedido de los instrumentistas que suscitaron la escritura (Claude Delangle y Jean Geoffroy).<\/p>\n

Esa premisa inicial tiene gran importancia en la visi\u00f3n primera que tuve de la obra. Primeramente est\u00e1n pensadas como entidades aut\u00f3nomas y fuertes (pueden ser ejecutadas en otro orden, sin embargo yuxtaponer la primera y la quinta ser\u00eda un error).<\/p>\n

Pueden tambi\u00e9n alternarse con obras de otros compositores. La continuidad no es de rigor, la corriente es definitivamente alternativa.<\/p>\n

El lenguaje est\u00e1 a mitad de camino entre m\u00fasica acad\u00e9mica y popular. Es bajo esta doble mirada que los int\u00e9rpretes pueden apropi\u00e1rselas para hacerlas vivir, sin perder de vista que la paleta de colores pertenece al mundo contempor\u00e1neos y la fraseolog\u00eda e inflexiones est\u00e1n m\u00e1s cerca de la voz del tango o las improvisaciones de Jimmy Hendrix.<\/p>\n

\n

Alto Voltango I
\n<\/strong><\/p>\n

Alto Voltango II
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/002.mp3<\/a><\/audio>\n

\u00a0Alto Voltango III
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/003.mp3<\/a><\/audio>\n

\u00a0Alto Voltango IV
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/004.mp3<\/a><\/audio>\n

Alto Voltango V
\n<\/strong><\/p>\nhttps:\/\/www.luisnaon.com\/wp-content\/uploads\/music\/voltango\/005.mp3<\/a><\/audio>\n

Alto Voltango<\/strong><\/p>\n

Erwan Fagant<\/strong>, Saxophone<\/em>
\nHerv\u00e9 Trovel<\/strong>, vibraphone<\/em>.
\nPrise de son<\/em> Jean-Marc Lyzwa<\/strong><\/div>\n

 <\/p>\n

\n

[ Cycle Urbana ]
\n<\/a>[ Musique de Chambre\u00a0]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Para saxof\u00f3n alto y vibr\u00e1fono. Encargo de la Soci\u00e9t\u00e9 Selmer y del\u00a0 XIV Curso Internacional de M\u00fasica de Benidorm. Editions Lemoine La obra es una suerte de serie de interludios libres. Compuesta para vibr\u00e1fono y saxof\u00f3n alto solos \u201cAlto Voltango\u00a0\u00bb puede ser mirada como una obra dentro de otras. Su descontextualizaci\u00f3n es perfectamente posible. Compuesta … Seguir leyendo Alto Voltango (2001) (Urbana 23)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,39,45],"tags":[],"class_list":["post-1511","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-musica-de-camara","category-todas-las-obras"],"yoast_head":"\nAlto Voltango (2001) (Urbana 23) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/alto-voltango-2001-urbana-23\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alto Voltango (2001) (Urbana 23) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Para saxof\u00f3n alto y vibr\u00e1fono. 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