{"id":1529,"date":"1997-09-08T14:54:27","date_gmt":"1997-09-08T14:54:27","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1529"},"modified":"2025-02-17T11:30:59","modified_gmt":"2025-02-17T11:30:59","slug":"lettre-inachevee-1997-urbana-3","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/lettre-inachevee-1997-urbana-3\/","title":{"rendered":"Lettre inachev\u00e9e (1997) (Urbana 3)"},"content":{"rendered":"<p><strong>Para vibr\u00e1fono.<\/strong><\/p>\n<p><strong>Es una obra complementaria de Claustrum, para percusi\u00f3n y sonidos fijos.<\/strong><\/p>\n<p><em>\u00c9ditions Lemoine.<\/em><\/p>\n<p style=\"text-align: justify;\">Concentrada en un instrumento \u00fanico, la pieza refleja un clima de parte ausente : el signo (la letra o la carta) que queda por completarse. Como si el trazo inicial del dibujo fuese interrumpido. El velo echado sobre la parte faltante nos somete a una audici\u00f3n del silencio, del sonido incipiente, de la ficci\u00f3n arm\u00f3nica. Este estado de cosas hace tender a una audici\u00f3n que se aleja de la noci\u00f3n tradicionalmente discursiva.<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\">Otra letra, otra carta, qued\u00f3 inconclusa. Aquella que nos un\u00eda a cada lado del atl\u00e1ntico con mi amigo poeta <strong>Charlie Feiling,<\/strong> fallecido prematuramente en julio del 97.<\/p>\n<p style=\"text-align: justify;\">Puede decirse que lo inacabado nos define como naturaleza po\u00e9tica. La apertura que nace de la obra no finalizada, el libro nunca publicado, el cuadro que hay que rehacer, el esbozo\u2026<\/p>\n<p style=\"text-align: justify;\">Toda obra es, de alguna manera, inconclusa. El tiempo que impone sus leyes \u2013 en particular a los m\u00fasicos \u2013 nos ordena y organiza en puntos fijos que enmarcan lo que es por excelencia indefinible.<\/p>\n<p style=\"text-align: justify;\">Por su escritura voluble y sembrada de trampas arm\u00f3nicas esta pieza parece libre,\u00a0<\/p>\n<p style=\"text-align: justify;\">casi raps\u00f3dica. Las diferentes bifurcaciones y capas arm\u00f3nicas son aqu\u00ed tributarias de la enarmon\u00eda \u2013 una nota com\u00fan es el nexo entre acordes o colores diferentes.<\/p>\n<p style=\"text-align: justify;\">La forma est\u00e1 conducida de manera tal que parecemos atravesar t\u00faneles perceptivos. La cristalizaci\u00f3n en figuras o acordes tangibles parece darnos a conocer la parte faltante, que, dada a conocer se desvanece r\u00e1pidamente \u2013 como en esos cuadernos de arena en los que el dibujo borra el dibujo que lo precede. En este contexto, en el que cada nueva figura es la primera, s\u00fabitamente borrada, la forma esta dada por el recorrido. La erosi\u00f3n del tiempo devuelve al signo su relieve arqueol\u00f3gico.<\/p>\n<hr \/>\n<p><strong>Lettre inachev\u00e9e<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1529-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/lettre\/lettre.mp3?_=1\" \/><a href=\"https:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/lettre\/lettre.mp3\">https:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/lettre\/lettre.mp3<\/a><\/audio>\n<hr \/>\n<p><a style=\"color: #800000;\" href=\"\/luisnaon\/?cat_ID=11\">[ Cycle Urbana ]<br \/>\n<\/a><a style=\"color: #800000;\" href=\"\/luisnaon\/?cat_ID=5\">[ Instrument seul et\/ou bande magn\u00e9tique ou \u00e9lectronique ]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Para vibr\u00e1fono. Es una obra complementaria de Claustrum, para percusi\u00f3n y sonidos fijos. \u00c9ditions Lemoine. Concentrada en un instrumento \u00fanico, la pieza refleja un clima de parte ausente : el signo (la letra o la carta) que queda por completarse. Como si el trazo inicial del dibujo fuese interrumpido. El velo echado sobre la parte &hellip; <a href=\"https:\/\/luisnaon.com\/es\/lettre-inachevee-1997-urbana-3\/\" class=\"more-link\">Seguir leyendo <span class=\"screen-reader-text\">Lettre inachev\u00e9e (1997) (Urbana 3)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,41,45],"tags":[],"class_list":["post-1529","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-instrumento-solo-sonidos-grabados-o-electronica","category-todas-las-obras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lettre inachev\u00e9e (1997) (Urbana 3) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/lettre-inachevee-1997-urbana-3\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lettre inachev\u00e9e (1997) (Urbana 3) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Para vibr\u00e1fono. Es una obra complementaria de Claustrum, para percusi\u00f3n y sonidos fijos. \u00c9ditions Lemoine. Concentrada en un instrumento \u00fanico, la pieza refleja un clima de parte ausente : el signo (la letra o la carta) que queda por completarse. Como si el trazo inicial del dibujo fuese interrumpido. 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