{"id":1554,"date":"1993-09-08T15:41:12","date_gmt":"1993-09-08T15:41:12","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1554"},"modified":"2023-07-10T15:10:27","modified_gmt":"2023-07-10T15:10:27","slug":"speculorum-memoria-1992-1993-urbana-10","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/speculorum-memoria-1992-1993-urbana-10\/","title":{"rendered":"Speculorum Memoria (1992-1993) (Urbana 10)"},"content":{"rendered":"

Para Orquesta.
\n<\/strong>
\nEncargo de Radio France <\/strong>para la orquesta Philharmonique.<\/p>\n

Speculorum Memoria<\/strong>\u00a0(Memoria de los espejos)<\/em>\u00a0es una obra en cuatro movimientos para orquesta reducida en la que subsisten ciertas caracter\u00edsticas de la m\u00fasica de ensamble, sobre todo en un tratamiento de la escritura muchas veces sol\u00edstica de la cuerda.<\/p>\n

<\/p>\n

Varios espejos est\u00e1n presentes en esta pieza :<\/p>\n

El espejo espacial es el primero en aparec\u00e9rsenos a partir de que los instrumentistas ocupan la escena. Esta espacializaci\u00f3n del sonido no es un dato conceptual ni abstracto. La he integrado en todos los niveles de la composici\u00f3n y constituye, en la misma medida que la instrumentaci\u00f3n, una premisa. El auditor podr\u00eda quedarse s\u00f3lo con ese aspecto y escuchar la obra con esa \u00fanica dimensi\u00f3n. \u201cEspacio\u201d y discurso est\u00e1n \u00edntimamente ligados pero sus funciones son muy diferentes. Para resumir dir\u00eda que el discurso utiliza el espacio como un recurso ret\u00f3rico (ya que es pertinente a la audici\u00f3n) suplementario.<\/p>\n

De todas las nociones de imagen musical reflejada la que mas me ha preocupado durante la composici\u00f3n es aquella que reagrupa \u201cla imagen con el tiempo y el recuerdo. El discurso depende \u00edntimamente de esta im\u00e1genes, cuyo reflejo o estela crean el mas importante de los espejos, aquel que esta en relaci\u00f3n con la percepci\u00f3n de los fen\u00f3menos musicales y la memoria.<\/p>\n

He pasado gran parte del trabajo de esbozos y organizaci\u00f3n del material musical en la categorizaci\u00f3n y la funcionalidad dramat\u00fargica de las diferentes secuencias musicales (orquesta, timbre, preponderancia del aspecto r\u00edtmico, secuencias vectoriales, de direcci\u00f3n, fuerza y atracci\u00f3n).<\/p>\n

El \u201ccontenido\u201d de la obra depende de estas categor\u00edas, y de una proporci\u00f3n (vecina a la proporci\u00f3n \u00e1urea) que esta ligada al peso relativo de los eventos.<\/p>\n

La memoria de los espejos puede confundirse aqu\u00ed con la memoria de los espejos, la diferencia sutil esta en la imposibilidad del olvido.<\/p>\n

\n

 <\/p>\n

Speculorum Memoria I
\n<\/span><\/strong><\/p>\n

Speculorum Memoria II
\n<\/strong><\/p>\nhttps:\/\/luisnaon.com\/wp-content\/uploads\/music\/speculor\/spec_2.mp3<\/a><\/audio>\n

Speculorum Memoria III
\n<\/strong><\/p>\nhttps:\/\/luisnaon.com\/wp-content\/uploads\/music\/speculor\/spec_3.mp3<\/a><\/audio>\n

Speculorum Memoria IV
\n<\/strong><\/p>\nhttps:\/\/luisnaon.com\/wp-content\/uploads\/music\/speculor\/spec_4.mp3<\/a><\/audio>\n

Speculorum Memoria<\/strong><\/p>\n

Orchestre Philharmonique de Radio France
\nConcert Public \u00e0 la Maison de Radio France
\nDirection<\/em>, Laurent Cuniot.<\/strong><\/p>\n
\n

*Partition et mat\u00e9riel d’orchestre disponible \u00e0 la Biblioth\u00e8que de Radio France<\/em>.<\/p>\n<\/div>\n

\n

[ Cycle Urbana ]<\/a><\/span>
\n[ Grands ensembles \/ Orchestre ]<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Para Orquesta. Encargo de Radio France para la orquesta Philharmonique. Speculorum Memoria\u00a0(Memoria de los espejos)\u00a0es una obra en cuatro movimientos para orquesta reducida en la que subsisten ciertas caracter\u00edsticas de la m\u00fasica de ensamble, sobre todo en un tratamiento de la escritura muchas veces sol\u00edstica de la cuerda.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,38,45],"tags":[],"class_list":["post-1554","post","type-post","status-publish","format-standard","hentry","category-ciclo-urbana","category-grandes-ensambles-orquesta","category-todas-las-obras"],"yoast_head":"\nSpeculorum Memoria (1992-1993) (Urbana 10) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/speculorum-memoria-1992-1993-urbana-10\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Speculorum Memoria (1992-1993) (Urbana 10) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"Para Orquesta. 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