{"id":1587,"date":"2011-09-09T12:16:22","date_gmt":"2011-09-09T12:16:22","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1587"},"modified":"2023-07-10T13:29:52","modified_gmt":"2023-07-10T13:29:52","slug":"3-new-york-blues-2011","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/3-new-york-blues-2011\/","title":{"rendered":"3 New York Blues (2011)"},"content":{"rendered":"<p><strong>para mezzosoprano y ensamble<\/strong><br \/>\nCon proyecci\u00f3n de im\u00e1genes sonoras y visuales\u00a0 en torno a la ciudad de\u00a0<strong><em>New York<\/em><\/strong><br \/>\nsobre textos de\u00a0<strong>Walt Whitman<\/strong>\u00a0y <strong>Edgar Allan Poe.<\/strong><br \/>\n<strong><br \/>\n<\/strong>Encargo de Radio France.<\/p>\n<figure id=\"attachment_654\" aria-describedby=\"caption-attachment-654\" style=\"width: 700px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-654\" src=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda5.jpg\" alt=\"3 New York Blues\" width=\"700\" height=\"240\" srcset=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda5.jpg 700w, https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/cadre_agenda5-300x102.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><figcaption id=\"caption-attachment-654\" class=\"wp-caption-text\">3 New York Blues<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">La obra se basa en una extra\u00f1a apuesta : escribir sobre una ciudad en la que nunca estuve. La idea de los \u201cblues\u201d sobre New York, no es menos extra\u00f1a. Esta situaci\u00f3n me permiti\u00f3 tener una visi\u00f3n lejana, distanciada de esta ciudad.<\/p>\n<p><!--more Lire la suite...-&gt;--><\/p>\n<p style=\"text-align: justify;\">El trabajo de investigaci\u00f3n sobre los posibles textos a musicalizar, me condujo, lejos de la ciudad misma, hacia los textos de Lorca, y por rebotes sucesivos a Whitman y luego a Poe.<\/p>\n<p style=\"text-align: justify;\">El tejido de la obra oscila entre las voces nocturna de los poetas opuesta a una fuerza, a un furor y una verticalidad violenta de la ciudad.<\/p>\n<p style=\"text-align: justify;\">Con <strong>Diego Pittaluga<\/strong>, realizador del video que \u201cacompa\u00f1a\u201d la obra, hemos dado un marco que nos permita centrarnos en lo musical, y de ninguna manera una trama narrativa que hubiese resultado redundante. Estas im\u00e1genes son al mismo tiempo el decorado y una referencia tangible a objetos que aparecen, en la m\u00fasica, de forma velada.<\/p>\n<p style=\"text-align: justify;\">La voz de <strong>Sylvia Vadimova<\/strong>, l\u00edrica pero que puede tomar con facilidad y voluptuosidad un car\u00e1cter de \u201cblues\u201d, ha sido uno de mis condiciones para la escritura de la obra.<\/p>\n<hr \/>\n<p><span style=\"font-size: 14px;\">Conciertp de Radio France en el Centquatre el 15 de mayo 2011<\/span><br \/>\n<span style=\"font-size: 14px;\">Musica : Luis Na\u00f3n \u00a0&#8211; \u00a0<\/span><span style=\"font-size: 14px;\">Orchestre Philharmonique de Radio France<\/span>\u00a0<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/biP2Iu3Gea8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span style=\"color: #800000;\">Los textos<\/span><\/strong><\/p>\n<p><span style=\"color: #800000;\"><strong>Federico Garcia Lorca<\/strong><\/span><br \/>\n<strong>Oda a Walt Whitman<\/strong><br \/>\n<em>\u2026Ni un solo momento, viejo hermoso Walt Whitman,<\/em><br \/>\n<em> he dejado de ver tu barba llena de mariposas\u2026<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>Walt Whitman<\/strong><\/span><br \/>\n<strong>Mannahatta<\/strong><\/p>\n<p><em>I was asking for something specific and perfect for my city,<\/em><br \/>\n<em> Whereupon lo! upsprang the aboriginal name.<\/em><br \/>\n<em> Now I see what there is in a name, a word, liquid, sane, unruly,<\/em><br \/>\n<em> musical, self-sufficient,<\/em><br \/>\n<em> I see that the word of my city is that word from of old,<\/em><br \/>\n<em> \u2026<\/em><br \/>\n<em> The countless masts, \u2026<\/em><br \/>\n<em> Immigrants arriving, fifteen or twenty thousand in a week,<\/em><br \/>\n<em> \u2026<\/em><br \/>\n<em> The summer air, the bright sun shining, and the sailing clouds aloft,<\/em><br \/>\n<em> The winter snows, the sleigh-bells, the broken ice in the river,<\/em><br \/>\n<em> passing along up or down with the flood-tide or ebb-tide,<\/em><br \/>\n<em> The mechanics of the city, the masters, well-form&#8217;d,<\/em><br \/>\n<em> beautiful-faced, looking you straight in the eyes,<\/em><br \/>\n<em> Trottoirs throng&#8217;d, vehicles, Broadway, the women, the shops and shows,<\/em><br \/>\n<em> A million people&#8211;manners free and superb&#8211;open voices&#8211;hospitality&#8211;<\/em><br \/>\n<em> the most courageous and friendly young men,<\/em><br \/>\n<em> City of hurried and sparkling waters! city of spires and masts!<\/em><br \/>\n<em> City nested in bays! my city!<\/em><\/p>\n<p>\n<span style=\"color: #800000;\"><strong>Edgar Allan Poe<\/strong><\/span><br \/>\n<strong>The City in the Sea<\/strong><\/p>\n<p><em>Lo! Death has reared himself a throne<\/em><br \/>\n<em> In a strange city lying alone<\/em><br \/>\n<em> Far down within the dim West,<\/em><br \/>\n<em> Where the good and the bad and the worst and the best<\/em><br \/>\n<em> Have gone to their eternal rest.<\/em><br \/>\n<em> There shrines and palaces and towers<\/em><br \/>\n<em> (Time-eaten towers and tremble not!)<\/em><br \/>\n<em> \u2026<\/em><br \/>\n<em> There open fanes and gaping graves<\/em><br \/>\n<em> Yawn level with the luminous waves;<\/em><br \/>\n<em> But not the riches there that lie<\/em><br \/>\n<em> In each idol&#8217;s diamond eye\u2014<\/em><br \/>\n<em> Not the gaily-jewelled dead<\/em><br \/>\n<em> Tempt the waters from their bed;<\/em><br \/>\n<em> For no ripples curl, alas!<\/em><br \/>\n<em> Along that wilderness of glass\u2014<\/em><br \/>\n<em> No swellings tell that winds may be<\/em><br \/>\n<em> Upon some far-off happier sea\u2014<\/em><br \/>\n<em> No heavings hint that winds have been<\/em><br \/>\n<em> On seas less hideously serene.<\/em><br \/>\n<em> But lo, a stir is in the air! The wave\u2014<\/em><br \/>\n<em> there is a movement there!<\/em><br \/>\n<em> As if the towers had thrust aside,<\/em><br \/>\n<em> \u2026<\/em><br \/>\n<em> Down, down that town shall settle hence \u2026<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>Walt Whitman<\/strong><\/span><br \/>\n<strong>Broadway<\/strong><\/p>\n<p><em>What hurrying human tides, or day or night!<\/em><br \/>\n<em> What passions, winnings, losses, ardors, swim thy waters!<\/em><br \/>\n<em> What whirls of evil, bliss and sorrow, stem thee!<\/em><br \/>\n<em> What curious questioning glances&#8211;glints of love!<\/em><br \/>\n<em> Leer, envy, scorn, contempt, hope, aspiration!<\/em><br \/>\n<em> Thou portal&#8211;thou arena&#8211;thou of the myriad long-drawn lines and groups!<\/em><br \/>\n<em> (Could but thy flagstones, curbs, facades, tell their inimitable tales;<\/em><br \/>\n<em> Thy windows rich, and huge hotels&#8211;thy side-walks wide;)<\/em><br \/>\n<em> Thou of the endless sliding, mincing, shuffling feet!<\/em><br \/>\n<em> Thou, like the parti-colored world itself&#8211;like infinite, teeming,<\/em><br \/>\n<em> mocking life!<\/em><br \/>\n<em> Thou visor&#8217;d, vast, unspeakable show and lesson!<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>Federico Garcia Lorca<\/strong><\/span><br \/>\n<strong>Oda a Walt Whitman<\/strong><\/p>\n<p><em><span style=\"color: #000000;\">Y t\u00fa, bello Walt Whitman, duerme a orillas del Hudson<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\"> con la barba hacia el polo y las manos abiertas.<\/span><\/em><\/p>\n<p><em><span style=\"color: #000000;\">Duerme, no queda nada.<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\"> Una danza de muros agita las praderas<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\"> y Am\u00e9rica se anega de m\u00e1quinas y llanto.<\/span><\/em><\/p>\n<hr \/>\n<p><span style=\"color: #800000;\"><strong>Dispositivo<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-347 size-full\" src=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/dispositif.jpg\" alt=\"dispositif\" width=\"720\" height=\"613\" srcset=\"https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/dispositif.jpg 720w, https:\/\/luisnaon.com\/wp-content\/uploads\/2014\/11\/dispositif-300x255.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/strong><\/span><\/p>\n<p><strong><span style=\"color: #800000;\">Los Instrumentos<\/span><br \/>\n<\/strong><\/p>\n<p>Mezzosoprano, Flauta, Oboe, Clarinete, Fagot, Saxof\u00f3n alto,<br \/>\nTrompeta, Trompa, Tromb\u00f3n, Piano y 2 percusiones<\/p>\n<p><strong>Percusi\u00f3n 1 :\u00a0<\/strong><br \/>\n1 vibrafono 3 octavas. <br \/>\nun set :<br \/>\n3 Platillos (1 splash 2 rides)<\/p>\n<p>redoblante (sin bordona)<br \/>\n2 toms (medio y grave)<br \/>\nBombo sinf\u00f3nico<br \/>\nUn Gong grave (mi 1)<\/p>\n<p><strong>Percusi\u00f3n 2 :<\/strong><br \/>\n1 marimba 5 octavas<br \/>\nun set:<br \/>\n2 Platillos rides<\/p>\n<p>redoblante (sin bordona)<br \/>\n2 toms (agudo y medio)<br \/>\nTom contrabajo<br \/>\nUn Tam-Tam profundo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>para mezzosoprano y ensamble Con proyecci\u00f3n de im\u00e1genes sonoras y visuales\u00a0 en torno a la ciudad de\u00a0New York sobre textos de\u00a0Walt Whitman\u00a0y Edgar Allan Poe. Encargo de Radio France. La obra se basa en una extra\u00f1a apuesta : escribir sobre una ciudad en la que nunca estuve. La idea de los \u201cblues\u201d sobre New York, &hellip; <a href=\"https:\/\/luisnaon.com\/es\/3-new-york-blues-2011\/\" class=\"more-link\">Seguir leyendo <span class=\"screen-reader-text\">3 New York Blues (2011)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[38,45],"tags":[],"class_list":["post-1587","post","type-post","status-publish","format-standard","hentry","category-grandes-ensambles-orquesta","category-todas-las-obras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>3 New York Blues (2011) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/3-new-york-blues-2011\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"3 New York Blues (2011) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"para mezzosoprano y ensamble Con proyecci\u00f3n de im\u00e1genes sonoras y visuales\u00a0 en torno a la ciudad de\u00a0New York sobre textos de\u00a0Walt Whitman\u00a0y Edgar Allan Poe. 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Encargo de Radio France. La obra se basa en una extra\u00f1a apuesta : escribir sobre una ciudad en la que nunca estuve. 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