{"id":1637,"date":"2015-09-09T14:25:39","date_gmt":"2015-09-09T14:25:39","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1637"},"modified":"2023-07-10T12:51:56","modified_gmt":"2023-07-10T12:51:56","slug":"tangos-utopicos-2015","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/tangos-utopicos-2015\/","title":{"rendered":"Tangos Ut\u00f3picos (2015)"},"content":{"rendered":"

<\/p>\r\n

Para cuarteto de saxofones.<\/strong><\/p>\r\n

Encargo del cuarteto Yendo<\/strong> y de Radio France para su emisi\u00f3n Alla Breve<\/strong>.<\/em><\/p>\r\n


\r\n<\/p>\r\n

\r\n

Tangos ut\u00f3picos 1<\/p>\r\n

Tangos ut\u00f3picos 2<\/p>\r\nhttps:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/tangos_utopicos\/TangoUtopicos-mp3_002.mp3<\/a><\/audio>\r\n

Tangos ut\u00f3picos 3<\/p>\r\nhttps:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/tangos_utopicos\/TangoUtopicos-mp3_003.mp3<\/a><\/audio>\r\n

Tangos ut\u00f3picos 4<\/p>\r\nhttps:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/tangos_utopicos\/TangoUtopicos-mp3_004.mp3<\/a><\/audio>\r\n

Tangos ut\u00f3picos 5<\/p>\r\nhttps:\/\/www.luis-naon.com\/wp-content\/uploads\/music\/tangos_utopicos\/TangoUtopicos-mp3_005.mp3<\/a><\/audio>\r\n

\r\n

Cinco movimientos de 2 minutos. Esa es la prerrogativa de la emisi\u00f3n \u201cAlla Breve\u201d, un desaf\u00edo. Esta limitaci\u00f3n estimulante se adapt\u00f3 particularmente a la idea de forjar una serie de piezas que conjugan el incre\u00edble virtuosismo de estos instrumentistas con los giros de un tango posible, hipot\u00e9tico, ut\u00f3pico.<\/p>\r\n

<\/p>\r\n

En \u201cCurvas Desiguales\u201d d\u00ed libre curso a los giros mel\u00f3dicos extravagantes que se unen en contrapuntos extremos, como una imitaci\u00f3n lejana de los entrelazamientos de bandone\u00f3n y viol\u00edn de los tangos tradicionales.<\/p>\r\n

La energ\u00eda, aquella del combate y la oposici\u00f3n de sexos, del tango bailado, encontr\u00f3 una met\u00e1fora Shakespeariana en \u00ab\u00a0Montescos y Capuletos\u00a0\u00bb, en la cual aparecen resabios del hermano norteamericano, el jazz. Esta lucha constante entre soprano y tenor versus alto y bar\u00edtono, disloca la gram\u00e1tica en una suerte de invenci\u00f3n furtiva a dos voces.<\/p>\r\n

En las tribulaciones de Per ( o Per-turbaciones ), adem\u00e1s de la referencia a mi amigo bandoneonista Per Arne Glorvigen, \u201ctanguero\u201d experto, el instrumento emblem\u00e1tico del tango aparece bajo la forma de una transcripci\u00f3n libre. El ataque violento y la resonancia m\u00f3rbida van a dar nacimiento a una serie de accidentes y de encuentros que engendran la melod\u00eda, para convertirse luego en una masa de sonido un\u00edvoca, microinterv\u00e1lica y, por lo tanto imposible en el tango tradicional.<\/p>\r\n

Dos milongas para terminar. Vista aqu\u00ed como la hermana mayor del tango. La \u201cMilonga interior\u201d no es otra cosa que un sondo de bandone\u00f3n en inmersi\u00f3n. El zoom que la audici\u00f3n opera nos sumerge en el fuelle del instrumento, en cuyo interior se esboza una melod\u00eda ronroneante. La segunda, la \u201cMilonga Desesperada\u201d, no logra encontrar un apoyo r\u00edtmico, se desespera. Lleva a los instrumentos a su extremo al tratar cada uno de imponer, a trav\u00e9s de m\u00e9tricas y polirritmias exageradas,\u00a0 su propia expresi\u00f3n mel\u00f3dica construida sobre la base de motivos de recurrentes del tango, que son utilizados como lugares comunes revisitados. Aqu\u00ed la haza\u00f1a avecina el peligro – que es, tal vez, la mejor definici\u00f3n del virtuosismo \u2013 y se termina por un gesto ascendente que sublima la cadencia final cuya \u00faltima nota parece ser\u00a0 una inspiraci\u00f3n que promete un despu\u00e9s.<\/p>\r\n

Estos tangos ut\u00f3picos no se pretenden un manifiesto musical del futuro del g\u00e9nero. Si hubiese un ejemplo que seguir \u2013 cosa que no suelo preconizar \u2013 dir\u00eda que es el de inventar, casi como un juego y en toda libertad, lo imposible.<\/p>\r\n

Luis Na\u00f3n<\/p>\r\n

\r\n


\r\n<\/p>\r\n

France musique \u2013 Emission\u00a0 \u2018ALLA BREVE\u2019
\r\n<\/a><\/strong>
\r\nGrabado en septiembre 2015 en Radio France
\r\nDifusi\u00f3n en secuencias del lunes al viernes de 13h55 y medianoche
\r\n> Escuchar el programa<\/a><\/p>\r\n

<\/p>\r\n

\r\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Para cuarteto de saxofones. 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