{"id":1749,"date":"2019-11-06T14:34:33","date_gmt":"2019-11-06T14:34:33","guid":{"rendered":"https:\/\/luisnaon.com\/?p=1749"},"modified":"2023-07-10T12:47:08","modified_gmt":"2023-07-10T12:47:08","slug":"blister-2019","status":"publish","type":"post","link":"https:\/\/luisnaon.com\/es\/blister-2019\/","title":{"rendered":"Blister (2019)"},"content":{"rendered":"<p><strong>(acci\u00f3n b\u00e9lico-psichi\u00e1trica)<br \/>\nPara r\u00e9citante, soprano, saxof\u00f3n alto, bajo fretless, percusi\u00f3n, electr\u00f3nica y video.<br \/>\n<\/strong><\/p>\n<p><strong>Sobre textes de Mart\u00edn Dubini<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CisKY1i3w9g\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Bajo la impulsi\u00f3n del TACEC, se genera esta apuesta de llevar a nuevos caminos una forma esc\u00e9nica. Nadie sabe si la \u00f3pera sigue viva, muri\u00f3 o est\u00e1 agonizando. \u00bfqu\u00e9 pasa entonces con una proposici\u00f3n de texto, m\u00fasica e im\u00e1genes? \u00bfDe que puede tratarse?\u00a0<\/p>\n<p style=\"text-align: justify;\">La proposici\u00f3n de <strong>Blister<\/strong> es tal vez s\u00f3lo un dispositivo en el que las tres formas comparten un espacio, un esbozo de sentido, una elipse.<\/p>\n<p style=\"text-align: justify;\">En la escena, el cuarteto, (soprano, saxof\u00f3n, bajo y percusi\u00f3n), cuenta con la acci\u00f3n invisible de una electr\u00f3nica espacial y de una video visible. Los m\u00fasicos secundan, comentan o se oponen a la sem\u00e1ntica\u00a0de los textos.<\/p>\n<p style=\"text-align: justify;\">Si la m\u00fasica ocupa la escena, intervenida por una deliberada poluci\u00f3n visual, la voz hablada proviene de diferentes lugares a la vez f\u00edsicos e imaginados.<\/p>\n<p style=\"text-align: justify;\">Todo se parece al borde superior de una trinchera pero no se sabe de qu\u00e9 lado est\u00e1 la guerra.\u00a0\u00a0Difusa distinci\u00f3n en el estatus de las detonaciones.\u00a0\u00a0Varias\u00a0\u00a0formas de no cruzar una frontera para continuar cayendo.<\/p>\n<p style=\"text-align: justify;\">Estrenada en el TACEC \u2013 Teatro Argentino de La Plata el 11 de julio del 2019.<\/p>\n<hr \/>\n<p>Recitante: <strong>Martin Dubini<br \/>\n<\/strong>Im\u00e1genes:<strong> Leonardo Balistrieri<br \/>\n<\/strong>Soprano: <strong>Maria Bugallo<br \/>\n<\/strong>Sax\u00f3fono: <strong>Bera Romairone<br \/>\n<\/strong>Bajo fretless (y guitarra):<strong> Juan Negri<br \/>\n<\/strong>Percusi\u00f3n: <strong>Bruno Lobianco<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(acci\u00f3n b\u00e9lico-psichi\u00e1trica) Para r\u00e9citante, soprano, saxof\u00f3n alto, bajo fretless, percusi\u00f3n, electr\u00f3nica y video. Sobre textes de Mart\u00edn Dubini Bajo la impulsi\u00f3n del TACEC, se genera esta apuesta de llevar a nuevos caminos una forma esc\u00e9nica. Nadie sabe si la \u00f3pera sigue viva, muri\u00f3 o est\u00e1 agonizando. \u00bfqu\u00e9 pasa entonces con una proposici\u00f3n de texto, m\u00fasica &hellip; <a href=\"https:\/\/luisnaon.com\/es\/blister-2019\/\" class=\"more-link\">Seguir leyendo <span class=\"screen-reader-text\">Blister (2019)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,40,45],"tags":[],"class_list":["post-1749","post","type-post","status-publish","format-standard","hentry","category-musica-de-camara","category-musica-de-escena-opera","category-todas-las-obras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Blister (2019) - Luis Na\u00f3n \/ compositeur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luisnaon.com\/es\/blister-2019\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blister (2019) - Luis Na\u00f3n \/ compositeur\" \/>\n<meta property=\"og:description\" content=\"(acci\u00f3n b\u00e9lico-psichi\u00e1trica) Para r\u00e9citante, soprano, saxof\u00f3n alto, bajo fretless, percusi\u00f3n, electr\u00f3nica y video. Sobre textes de Mart\u00edn Dubini Bajo la impulsi\u00f3n del TACEC, se genera esta apuesta de llevar a nuevos caminos una forma esc\u00e9nica. 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