For Synthetise and magnetic band.
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Cinco personajes en busca de altura (1984/85)
FIVE CHARACTERS SEEKING HEIGHTS (1984/85)
For wind quintet.
Flute, Oboe, Clarinet, French Horn and Bassoon.
TRINAC Prize from the International Music Council.
Del fuego las resonancias (1992)
(The resonances of fire)
For guitar
For Miguel Angel Girolet
Del fuego las resonancias is a piece composed for Miguel Angel Girolet for a concert in the Maison of Radio France within the context of the International Guitar Festival.
Final del juego (1983/84)
For flute, clarinet, trumpet, french horn, viola, cello, percussion and tape.
Reflections – Reflets… (1985)
For clarinet, french horn, cello and 2 synthesisers.
Reflections – Reflets…
Tango del desamparo (1987)
(The Neglect Tango)
For cello, piano and magnetic tape.
Death has always been one of the main themes in tango. “The Neglect Tango” is an autobiographical piece but it does not tell a story, it is rather about the emotion and pain caused by the death of my brother.
In the scene, the instrumentalists sing, recite and algo play instruments of percussion. In the magnetic tape there are voices, bandoneon that turn into sirens and percussive tango phrases that sound like bangs.
Tango del desamparo
Musique pour la Chine (1989)
(Music for China)
For 7 brass instruments, 3 percussions, choir and magnetic tape.
Circumstantial musical for the Bicentennial French Revolution.
Premiered in the Champs-Elysées & Place de la Concorde on 13th July 1989.
For the Brass and percussions of the Ensemble Intercontemporain
Onomatopées (1989)
(Onomatopoeias)
For 7 brass instruments, 3 percussions, choir and magnetic tape.
Circumstantial musical for the Bicentennial French Revolution.
Premiered in the Champs-Elysées & the Place de la Concorde on 13th July 1989.
For the Brass and percussions of the Ensemble Intercontemporain.
Ein Lied (2006)
Decreasing shapes (Formas decrecientes)
For soprano, alto saxophone, viola and piano.
About texts by Rodolfo Quique Fogwill.
Commissioned by Ars Nova ensemble for “Les grands jafoins”
This piece is born from the friendship that tied me up with Rodolfo Fogwill (Buenos Aires 1941-2010.)
Taking into account that his texts seem to almost always be full of music, of the language of music, the one I chose for Ein Lied is in a way about paternity as a form of eternity.
Aliados invisibles II (2007)
For flute, guitar and piano
Commissioned by Almaviva ensemble.
The piece was written for the members of the Almaviva ensemble: Monica Taragano, Ezequiel Spucches and above all their guitarist Pablo Marquez with whom I have a long friendship built by diverse musical collaborations. Continue reading Aliados invisibles II (2007)
